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IN LOVE AND WAR

Thoughtful and lively story from a husband-wife team who blend two distinctive voices into a seamless, satisfying whole.

Another contemporary romance from the authors of Love Don’t Live Here Anymore (2002), etc.

Kenneth Roman doesn’t know quite what to say to a beautiful single mother who doesn’t want to listen. As a teacher and coach at a Teaneck high school, he’s seen a lot of kids get into serious trouble, and Zaria Chance’s son James may be headed in the wrong direction. He’s only trying to do the right thing by telling her about James’s difficulties—but, damn, talk about ingratitude. As far as Zaria can see, Mr. Roman has her pegged as a welfare queen from the ’hood, even though Zaria’s been raising her James and Jasmine alone ever since their no-account daddy disappeared, and she just so happens to make $60,000 a year as a university financial officer. If he doesn’t believe her, he can go and ask Principal Bell, a strong black woman herself, who won’t take kindly to any man questioning a black woman’s mothering. Sure, the principal’s seen plenty of triflin’ heffas who never should’ve had kids come and go, but Zaria isn’t one of them. Kenneth has to agree, to his chagrin, as he finds out more about Zaria and her family. Maybe his guilty secret is getting in the way of his better judgment: his own daughter Lane doesn’t live with him, and he’s not as a good a father to her as he wants to be. There aren’t enough hours in a day to do his job, get some exercise, keep up with family and friends, and maintain a social life—though there’s no one special in his life right now, besides Antoinette, who likes to show up every so often in nothing but a gold lamé raincoat. Zaria doesn’t have a man and doesn’t want one—but Kenneth Roman keeps coming around and she’s beginning to like him . . . .

Thoughtful and lively story from a husband-wife team who blend two distinctive voices into a seamless, satisfying whole.

Pub Date: Jan. 27, 2003

ISBN: 0-525-94709-4

Page Count: 352

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2002

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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