“Seldom has history been so inextricably intertwined with the history of science,” comments Guedj. And seldom have such...
After his fine romp-cum-history-of-mathematics (The Parrot’s Theorem, p. 889), Guedj brings us another science-novel, this one set during the French Revolution and telling how the metric system came to be.
Based on reason (and wild excesses of same), the Revolution occurred in an age that craved the universal, ideal, and absolute. Little wonder, then—when “seven or eight hundred different units of measurement” were in use—that the revolutionists set out not just to end the monarchy but to unify weights and measures once and for all. Nor is it surprising, either, that they based their thinking not on something artificial or made up, but that “they chose the earth itself as the standard—the earth, shared by all men, invariable, and universal.” In short, they would measure the earth’s quarter meridian, divide by ten million, and—presto!—the meter would exist. With scrupulous detail and passionate attentiveness, Guedj follows the two scientists appointed to the huge task of measurement—Pierre Méchain and Jean-Baptiste Delembre—as they go on their individual six-year odysseys, one starting in Barcelona and measuring north, the other in Dunkirk and measuring south. These real-life scientists will indefatigably climb mountains and bell towers to take endless sightings with the newly invented and incredibly accurate “repeating circle”; will be imprisoned, threatened by mobs, struck by injury—and even persecuted by the Terror itself during their 1792–98 labors, all the while discoursing with the likes of Lavoisier, Condorcet, Borda, d’Alembert, and Laplace. Patience can be helpful as the increments of narrative tick by, but rewards are plentiful, too, in seeing the Revolution, for example, from these scientists’ unusual vantage, or in living through the nightmarish possibility that the entire great project might crumble due to a single mismeasurement back at the very beginning.
“Seldom has history been so inextricably intertwined with the history of science,” comments Guedj. And seldom have such interesting books as his come from that union.Pub Date: Sept. 1, 2001
ISBN: 0-226-31030-2
Page Count: 300
Publisher: Univ. of Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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