A disappointingly unaffecting saga from West Virginia novelist Giardina (Good King Harry, 1984, Storming Heaven, 1987) about the deathwatch of a once-vibrant Appalachian mining community. Beginning when coal was still king with the 1930's childhood of central characters Rachel and cousin Dillon, Giardina introduces the men and women who live along Blackberry Creek. They are a small and close community of representative types: Arthur Lee, the company man who finally comes through decades later when tragedy strikes because ``they are my people too''; Doyle Ray, who goes to Vietnam and returns a fundamentalist preacher; Toejam, of small intellect but big heart, who marries crippled Brenda; and Hassel, a bar-owner and the most memorable and original character here, who is set on building a bridge across the creek to make life a little easier for everybody. These people's lives are shaped and dominated by the coal seams that permeate their beloved mountains and give them employment. Though Dillon, a labor activist and son of a martyred union organizer, and Rachel love each other, Rachel marries Italian bookkeeper Tony. But passion will out: the other two get together, and Jackie is conceived, though she won't know that Dillon is her real dad for most of the book. When Jackie grows up, she meets VISTA worker Tom—the 1960's War on Poverty is on— but Tom is going to be a priest, so Jackie goes to work in Washington. She's unable to forget the mountains or Tom, however, so she returns to Blackberry Creek. Here, miners are being dismissed, benefits cut, even the great strike of the 1980's is ignored by the usual sympathizers; and when the dam, built of slag at the valley head, finally bursts, the destruction of the community is complete. Lives of not-so-quiet desperation luminously described, but despite a great subject and setting, the major characters who should hold it all together never do.
Pub Date: June 1, 1992
ISBN: 0-393-03096-2
Page Count: 480
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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