A disappointingly unaffecting saga from West Virginia novelist Giardina (Good King Harry, 1984, Storming Heaven, 1987) about the deathwatch of a once-vibrant Appalachian mining community. Beginning when coal was still king with the 1930's childhood of central characters Rachel and cousin Dillon, Giardina introduces the men and women who live along Blackberry Creek. They are a small and close community of representative types: Arthur Lee, the company man who finally comes through decades later when tragedy strikes because ``they are my people too''; Doyle Ray, who goes to Vietnam and returns a fundamentalist preacher; Toejam, of small intellect but big heart, who marries crippled Brenda; and Hassel, a bar-owner and the most memorable and original character here, who is set on building a bridge across the creek to make life a little easier for everybody. These people's lives are shaped and dominated by the coal seams that permeate their beloved mountains and give them employment. Though Dillon, a labor activist and son of a martyred union organizer, and Rachel love each other, Rachel marries Italian bookkeeper Tony. But passion will out: the other two get together, and Jackie is conceived, though she won't know that Dillon is her real dad for most of the book. When Jackie grows up, she meets VISTA worker Tom—the 1960's War on Poverty is on— but Tom is going to be a priest, so Jackie goes to work in Washington. She's unable to forget the mountains or Tom, however, so she returns to Blackberry Creek. Here, miners are being dismissed, benefits cut, even the great strike of the 1980's is ignored by the usual sympathizers; and when the dam, built of slag at the valley head, finally bursts, the destruction of the community is complete. Lives of not-so-quiet desperation luminously described, but despite a great subject and setting, the major characters who should hold it all together never do.
Pub Date: June 1, 1992
ISBN: 0-393-03096-2
Page Count: 480
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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