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GIVING THANKS

Name: GIVING THANKS
Author: Denise Kiernan
ISBN: 978-0-593-40441-6

HOW THANKSGIVING BECAME A NATIONAL HOLIDAY

by Denise Kiernan ; illustrated by Jamey Christoph ‧ RELEASE DATE: Sept. 27, 2022

A valuable addition to this American conversation.

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A new kind of Thanksgiving story.

Pastoral opening spreads invoke old-timey illustrations with an updated spin: rolling farmland, an elder embracing a child, and four vignettes of children expressing gratitude for things in their lives in French, Algonquin, Twi, and Korean. The story then transitions, with somewhat lengthy blocks of text, to explain how Sarah Josepha Hale, a 19th-century White feminist writer and activist, agitated through five presidential administration to make Thanksgiving a national holiday. By describing older, localized thanksgiving festivals, the somewhat universal concept of gratitude, and President Abraham Lincoln’s efforts to unite America in the midst of the Civil War, this story provides an accurate recounting of how an inconsistent regional tradition became a federally recognized day. By not even nodding toward the more popular but historiographically flawed mythology of the Wampanoags and Pilgrims, Kiernan—author of a similar book for adults—helps to rewrite harmful narratives in an age-appropriate way for a new generation. The soft illustrations ably depict both bustling historical scenes and contemporary multiracial groups of people. This will be hugely useful for parents and educators looking for better materials to describe this time of year. (This book was reviewed digitally.)

A valuable addition to this American conversation. (resource list) (Picture book. 5-9)

Pub Date: Sept. 27, 2022

ISBN: 978-0-593-40441-6

Page Count: 32

Publisher: Philomel

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

Categories:

CHILDREN'S HISTORY | CHILDREN'S HOLIDAYS & CELEBRATIONS

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CELEBRATE KWANZAA

WITH CANDLES, COMMUNITY, AND THE FRUITS OF THE HARVEST

From the Holidays Around the World series

by Carolyn B. Otto ‧ RELEASE DATE: Sept. 5, 2017

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.

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An overview of the modern African-American holiday.

This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4263-2849-7

Page Count: 40

Publisher: National Geographic Kids

Review Posted Online: Oct. 27, 2017

Categories:

CHILDREN'S HOLIDAYS & CELEBRATIONS | CHILDREN'S SOCIAL SCIENCES

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BEFORE SHE WAS HARRIET

by Lesa Cline-Ransome ; illustrated by James E. Ransome ‧ RELEASE DATE: Nov. 7, 2017

A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...

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A memorable, lyrical reverse-chronological walk through the life of an American icon.

In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.

A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)