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IF YOUR MONSTER WON'T GO TO BED

A few moments shine, but all in all an overstuffed effort.

What with keeping the fridge stocked with slug mush and sour green milk, incidentals such as mud soap and fang paste seem downright ordinary—unlike the consequences of ignoring the emphatic “Don’t”s populating this unorthodox DIY manual: “massive monster tantrums.”

The six-step bedtime instructions are scrawled on wide-ruled school paper, detailing the biracial bunny-slippered protagonist’s superior strategizing skills. If the detailed formula is rigidly adhered to, the rowdy monster will allow itself to go from a soothing ice bath to bedtime story to screeching lullaby to, finally, sleep. OHora’s signature color palette and tongue-in-cheek retro illustrations with a matte finish bring Vega’s uneven story to uproarious life. The sheep sandwich heading for the cavernous maw looks appropriately terrified, in contrast to the tiny terrier worrying the gigantic, furred monster’s knees. From the parents (a shell-shocked black mom cradles her cringing white husband) to the exuberant grizzly-sized, pom-pom–sporting, rainbow-striped monster, the delightful characters revolve around a no-nonsense, brown-skinned child rocking her own pom-pom ’do. Regrettably, Vega tries too hard to be cute. There is a game of “toss-the-slime-ball,” the information that “monsters hate milk unless it’s sour and green and smells like dirty underwear,” and instructions to “read the freakiest, creepiest, scariest story from your bookshelf—screaming where appropriate”—it’s all just too much.

A few moments shine, but all in all an overstuffed effort. (Picture book. 4-6)

Pub Date: March 14, 2017

ISBN: 978-0-553-49655-0

Page Count: 40

Publisher: Knopf

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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THE SCARECROW

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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