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GOING HOME AGAIN

Finely crafted, disarmingly casual prose that quietly penetrates the reader’s mind and heart.

After two novels (The Communist's Daughter, 2007, etc.) prominently featuring politics and war, Bock offers a deceptively modest domestic drama about a man returning to Toronto from Italy after the breakup of his marriage.

After his Italian wife, Isabel, leaves him and takes up with another man, expat Canadian Charlie decides to escape his emotional pain by returning to Toronto to open a new branch of the language school chain he owns. He plans to be gone for one year and to stay in constant touch with his 12-year-old daughter, Ava. In Canada, Charlie reconnects with his older brother, Nate, from whom he’s been estranged since chauvinist swine Nate behaved particularly boorishly to Isabel years before. Now going through his own ugly divorce and desperate to maintain his relationship with his two sons, Nate at first seems chastened. But Charlie gradually realizes that Nate has not changed as much as he’d like to pretend and is rabidly bitter that the boys prefer staying with his ex-wife and her easygoing boyfriend. Charlie, who desperately misses Ava and questions why he decided to take himself out of her life, becomes increasingly protective of Nate’s boys. He is still pining for Isabel as well as Ava when he runs into his long-lost first love, Holly; he was running away from their troubled relationship when he first met Isabel. Once Charlie corrects his misreading of past events, he begins to take responsibility for his life. And by the time Nate spirals out of control, Charlie understands how fundamentally different a man is from his brother. The elliptical narrative, which sometimes leaves out connecting details, is more intriguing than confusing as Charlie sorts out the truth. On one level, the novel captures the difficulty men have reading women; on a deeper level, Bock plumbs issues of memory, moral responsibility and what constitutes a man’s real love for a woman.

Finely crafted, disarmingly casual prose that quietly penetrates the reader’s mind and heart.

Pub Date: Aug. 16, 2013

ISBN: 978-1-400-04463-4

Page Count: 272

Publisher: Knopf

Review Posted Online: June 30, 2013

Kirkus Reviews Issue: July 15, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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