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CLEAVING

THE STORY OF A MARRIAGE

In a bizarre mixture of joint autobiography and sociology, occasionally complemented by detailed instructions on well-drilling, the Covington writer/spouse duo rehashes about 20 years of their stormy, messy married life. The tale of Vicki and Dennis offers no theme of general interest and is perhaps just as trivial or as original as the life story of any random passer-by. The difference here lies in a relatively sophisticated narrative technique that alternates the voices of husband and wife, each of whom in turn provides an individual interpretation of the same events. Vicki’s account is emotionally charged, while Dennis sticks to a more balanced and precise journalistic manner. Natives of Alabama, where they wind up again after several brief sojourns elsewhere, the couple have had a lifestyle mÇlange of hippie and pseudobohemian, which seems to defy their parents’ basic southern values. Drugs, alcoholism, obsessive-compulsive disorder, depression, and adultery, punctuated by a mÇnage Ö trois with one of Dennis’s fellow college professors, mix to form a pretty nauseating cocktail of the Covingtons’ earlier married life. Just when Vicki’s maternal instinct awakens, she is afflicted with an ectopic pregnancy, years of infertility treatment, eventual pregnancy by her husband’s buddy, and a subsequent abortion. She finally gives birth to two of Dennis’s daughters, their literary careers take off, and their life normalizes to a certain extent, although extramarital affairs remain omnipresent. The Covingtons’ return to the Southern Baptist Church appears as abrupt and unconvincing as their pathetic urge to drill water wells in El Salvador to satiate their “spiritual thirst.” The final chapters of the book feature frequent quotations from the Bible and pop songs, melodramatic talk of forgiveness, and sadomasochistic confessions the two make to each other about their respective lovers. One hopes that the story of the Covingtons’ “crimes and misdemeanors” will prove therapeutic for the authors, as the readers will find it neither edifying nor amusing. (Author tour)

Pub Date: May 1, 1999

ISBN: 0-86547-548-2

Page Count: 124

Publisher: North Point/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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