A novel whose entertaining parts don't make for a satisfying whole.
With the Nazi threat as backdrop, a series of family tragedies, criminal violence, and antisemitic acts animate this New England–set prequel to Miller's debut, Norwegian by Night (2012).
A year after small-town Jewish boy Sheldon Horowitz's mother and aunt were killed in a theater fire, his father is killed when a truck runs his vehicle off the road. Twelve-year-old Sheldon, who survives the crash, is convinced it was no accident. Even after moving from rural Massachusetts to Hartford to live with his widowed uncle, he is determined to track down the murderous driver and avenge his father's death. Just how capable this introspective boy is of vengeance (and how shaken he is by the deaths in his family) is revealed when he sets fire to his house to frame as arsonists the Jew-hating siblings who, as salesmen for his father's pelt business, stole from him. At the behest of his best (and only Jewish) friend, Lenny Bernstein, Sheldon escapes to a Jewish resort in upstate New York, where he gets a job as a bellhop and becomes perilously involved in a case of stolen jewels, and Lenny sets his sights on becoming successful as a confrontational stand-up comic. Sheldon's older cousin Abe, obsessed with disproving the weak Jewish stereotype, takes a darker path. After his father, an accountant at the Colt Armory, is set up to take the fall for a bunch of missing guns, Abe exacts revenge on his father's boss. He then escapes to Canada to join the Royal Canadian Air Force with hopes of killing Nazis. There's a lot to enjoy in this sprawling book, which brings a Huck Finn–ish humor to its coming-of-age story. But with its overstated themes and tendency to dictate the characters' thoughts and feelings rather than elicit them, the novel compromises its emotional impact.
A novel whose entertaining parts don't make for a satisfying whole.Pub Date: July 27, 2021
ISBN: 978-0-358-26960-1
Page Count: 368
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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