by Derek Leebaert ‧ RELEASE DATE: Oct. 16, 2018
A sturdy exploration of lesser-known aspects of the Cold War, focusing on the rivalry between allies as much as enemies.
World War II ended in 1945. However, as this historical account reveals, it took another dozen years before Americans came to accept their role in the world with a new term: superpower.
A much-repeated distillation of postwar world history goes something like this: Exhausted by six years of war and not wanting to fight further to retain an empire that was already an anachronism, Britain let the United States take over as the West’s leading power. As global management consultant Leebaert (Magic and Mayhem: The Delusions of American Foreign Policy from Korea to Afghanistan, 2010, etc.) writes, chiding the likes of Henry Kissinger along the way, the truth is considerably more complicated. Britain fought hard to retain its empire and world influence, the U.S. was as much a rival as an ally at key points, and well into his administration, Dwight Eisenhower would acknowledge British hegemony in regions such as the Middle East. Things came to a head with the Anglo-French seizure of the Suez Canal in 1956, disrupting American efforts to outgame the Soviet Union in the region. But it was really the onset of the space race that put the U.S. in a different order from its erstwhile colonizer, revealing that “only the United States and the Soviet Union could compete at this level.” America’s rise as a superpower, Leebaert concludes after a long look at the years between World War II and Vietnam, came without a grand strategy or much interest in holding an empire of its own. The nation’s dominance was instead largely economic and cultural, the product of “the sheer power of production, a culture of discovery and technology breakthroughs, and Hollywood’s idealization of middle-class living, not from any expansionist yearnings in Washington." Of considerable interest is the author’s look inside policy differences between the U.S. and Britain (and other Western powers) on the conduct of the wars in Vietnam, Korea, and other theaters.
A sturdy exploration of lesser-known aspects of the Cold War, focusing on the rivalry between allies as much as enemies.Pub Date: Oct. 16, 2018
ISBN: 978-0-374-25072-0
Page Count: 624
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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