by Derek Lilly ‧ RELEASE DATE: May 11, 2017
An entertaining yarn that delivers a curious mix of science and sci-fi.
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Rolling Stone & Kirkus' Best Music Books of None
An astrophysicist discovers an artifact from outer space containing a cryptic message that may be a precursor to an alien attack in this debut novel.
Lukas Linsky is a genius who dreams of becoming an astrophysicist. He was born to accomplished parents Flo, a doctor of genetics, and Marcus, who in 2017 founded the CIA-backed Android AI. The CIA wants to use the company to create combat robots, but advancement in artificial intelligence leads to a line of superior androids called Andi Mk2s. Their purpose is to help humans reverse the increasing devastation caused by global warming. At the same time, Lukas starts building the Linsky Observatory in New Zealand, completed by 2032. It’s in New Zealand where Lukas spots a “bolt of bright orange plasma light” moving with purpose and obviously not a natural occurrence. He and his pal Angus “Gus” Macleod later see and chase another plasma ball, which lands on Earth. It’s a sphere that Marcus determines is of an element or alloy not of this world. It also contains a binary-coded message, the initially translated synopsis providing a future date and coordinates to the sun. The sphere seems to have originated from an Earth-like exoplanet, Kepler-452b. Noting that Kepler-452b is lacking in a particular resource that’s more abundant on Earth, Lukas surmises an alien species may be intent on taking the treasure in a likely unfriendly manner. Further decryption of the sphere’s code reveals that the aliens may be wary of the Mk2s and have a plan involving the androids. Lilly’s engaging tale, despite Lukas’ first-person voice, reads like a history book. There’s very little dialogue, and the narrative’s occasionally interrupted by separated text defining terminology or clarifying historical references. These notes reinforce a smart story rife with information, even when they explain something relatively simple like TV—after all, it may be obsolete for distant-future readers. There is, however, some redundancy: expounding on wormholes more than once or discussing the Richter scale and electromagnetic pulses well after they’ve already appeared in the story. The protagonist generally relays events as they unfold, which is fitting for a scientist. But he’s not merely a cold observer; the author skillfully provides insights into his character. It’s clear that Lukas loves his parents, and he quickly falls for Vicki, a former professional football (aka soccer) player in England. He also believes calling Marcus “Dad” is a “childish slip,” a sign that he fears emotional attachments, even to loved ones. Still, his relationships to friends and family are sturdy enough that, when death ultimately rears its ugly head, there’s an unmistakable impact. Lilly deftly retains suspense by way of the aliens’ anticipated actions; there’s a countdown to the 2035 date cited in the message (down to the final seconds), while an invasion at that point is still speculation. Tech is both familiar and new (for example, a top-secret submarine) and sometimes creatively named: a ship's operations room for flying pilotless aircraft is called "The Kids Room" for its resemblance to handheld gaming consoles.
An entertaining yarn that delivers a curious mix of science and sci-fi.Pub Date: May 11, 2017
ISBN: 978-0-473-38440-1
Page Count: 256
Publisher: CreateSpace
Review Posted Online: June 8, 2017
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Prize
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National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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