A solid second helping.
Art and Camille return to foil another art thief.
Twelve-year-old Arthur Hamilton Jr. (“Art” to his friends) is certain that the National Portrait Gallery’s newest exhibit is in danger. Art’s father, recently appointed director of the gallery, doesn’t share Art’s concerns; the paintings are protected by several state-of-the-art security systems after all. But Art can’t shake the feeling that something’s up, and he ropes his friend Camille Sullivan into helping him expose the suspicious characters buzzing around the museum for the thieves they are. The novel mirrors its predecessor’s mixture of propulsive plotting, dynamic character work, and nifty art facts. Fans of The Van Gogh Deception (2017) will be thrilled to see not much has changed here. The mystery provides a few pleasant twists and turns, culminating in a rousing conclusion that handily points to the next book without feeling incomplete. While the QR codes included effectively render the works mentioned, the scanning is sometimes difficult when using a digital copy of the book, interfering with the mystery’s momentum. Thankfully the art history lessons never feel too artificially wedged into the narrative. The author’s note discusses the notorious 1990 heist at the Isabella Stewart Gardner Museum, the subject of tantalizing discussion in this story. Art and Camille are White.
A solid second helping. (Mystery. 9-12)Pub Date: Dec. 1, 2020
ISBN: 978-0-358-25621-2
Page Count: 272
Publisher: HMH Books
Review Posted Online: Oct. 11, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Slick sleuthing punctuated by action on the boards and insights into differences that matter—and those that don’t.
Brothers, one neurodivergent, team up to shoot baskets and find a thief.
With the coach spit-bellowing at him to play better or get out, basketball tryouts are such a disaster for 11-year-old Green that he pelts out of the gym—becoming the chief suspect to everyone except his fiercely protective older brother, Cedar, when a valuable ring vanishes from the coach’s office. Used to being misunderstood, Green is less affected by the assumption of his guilt than Cedar, whose violent reactions risk his suspension. Switching narrative duties in alternating first-person chapters, the brothers join forces to search for clues to the real thief—amassing notes, eliminating possibilities (only with reluctance does Green discard Ringwraiths from his exhaustive list of possible perps), and, on the way to an ingenious denouement, discovering several schoolmates and grown-ups who, like Cedar, see Green as his own unique self, not just another “special needs” kid. In an author’s note, King writes that he based his title characters on family members, adding an element of conviction to his portrayals of Green as a smart, unathletic tween with a wry sense of humor and of Cedar’s attachment to him as founded in real affection, not just duty. Ultimately, the author finds positive qualities to accentuate in most of the rest of the cast too, ending on a tide of apologies and fence-mendings. Cedar and Green default to White.
Slick sleuthing punctuated by action on the boards and insights into differences that matter—and those that don’t. (Fiction. 9-12)Pub Date: Aug. 23, 2022
ISBN: 978-1-66590-261-8
Page Count: 272
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
The magic of reading is given a refreshingly real twist.
This is the way Pearl’s world ends: not with a bang but with a scream.
Pearl Moran was born in the Lancaster Avenue branch library and considers it more her home than the apartment she shares with her mother, the circulation librarian. When the head of the library’s beloved statue of poet Edna St. Vincent Millay is found to be missing, Pearl’s scream brings the entire neighborhood running. Thus ensues an enchanting plunge into the underbelly of a failing library and a city brimful of secrets. With the help of friends old, uncertainly developing, and new, Pearl must spin story after compelling story in hopes of saving what she loves most. Indeed, that love—of libraries, of books, and most of all of stories—suffuses the entire narrative. Literary references are peppered throughout (clarified with somewhat superfluous footnotes) in addition to a variety of tangential sidebars (the identity of whose writer becomes delightfully clear later on). Pearl is an odd but genuine narrator, possessed of a complex and emotional inner voice warring with a stridently stubborn outer one. An array of endearing supporting characters, coupled with a plot both grounded in stressful reality and uplifted by urban fantasy, lend the story its charm. Both the neighborhood and the library staff are robustly diverse. Pearl herself is biracial; her “long-gone father” was black and her mother is white. Bagley’s spot illustrations both reinforce this and add gentle humor.
The magic of reading is given a refreshingly real twist. (reading list) (Fantasy. 10-12)Pub Date: Jan. 7, 2020
ISBN: 978-1-4521-6952-1
Page Count: 392
Publisher: Chronicle Books
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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