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CONFRONTING AUTHORITY

REFLECTIONS OF AN ARDENT PROTESTOR

A leading African-American scholar of the law, known for decrying the underrepresentation of minorities in the academy, reflects on protest and race in America. Four years ago, Bell (Law/New York Univ.; Faces at the Bottom of the Well, 1992, etc.), then at Harvard, protested the absence of black women from that university's law faculty by taking an unpaid leave of absence. After much dithering, Harvard failed to hire a black woman law professor; once Bell had taken the two years of leave allowed him by its rules, Harvard fired him, refusing to make an exception for his principled stand. Affecting vignettes reveal how Bell's family inspired and sustained his protest. Accounts of faculty politics, in contrast, find Bell pulling his punches. Rather than settle scores, he seeks to knit his personal and professional experiences into a broad exploration of protest and the responses that it provokes. Alongside of his confrontation with the authorities at Harvard, Bell examines protests by such figures as Paul Robeson, Fannie Lou Hamer, and Martin Luther King while weaving into his book—in a manner familiar to readers of his previous work and to those acquainted with the techniques of ``critical race studies''—an allegorical fable in which citizens of a ruling citadel argue over how to treat the downtrodden outside of their walls. Bell illuminates an ugly picture: Protesters become pariahs, true reform may be impossible to achieve, yet struggle is necessary to preserve dignity and self-esteem. If Bell's pessimism seems a bit hyperbolic, his argument lends moral authority to those who exhort us toward social reform—those such as Bell himself, whose perhaps overdue disillusion with Harvard enables him to forcefully pose questions of how and why the institutional imperatives of power and prestige compromise moral vision. Bell's clearly written jeremiad, with its moving portrait of the author as exemplary protester, will inspire new examinations of struggles in our citadels of power—perhaps even new protests there. (Author tour)

Pub Date: Oct. 1, 1994

ISBN: 0-8070-0926-1

Page Count: 208

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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