“The wages of dying is love,” Galway Kinnell once wrote. McTiernan asks if that’s enough.
A young Vermont woman goes missing and her boyfriend is the prime suspect.
“My name is Nina Fraser. There is a good chance that you know who I am.” The novel begins with a prologue in the voice of its 20-year-old title character, who relays the history of her relationship with her boyfriend, Simon Jordan, and a particular weekend they spent hiking and climbing at his parents’ new place near Stowe. It ends like this: “I went downstairs to tell Simon that we were over and that I never wanted to see him again.” From this point, other voices take over, including those of Nina’s parents, Leanne and Andy; Simon’s mother, Jamie; and Matthew Wright, the detective who’s investigating Nina’s disappearance. With the support of a few other characters, they are responsible for piecing together Nina’s story and bearing witness to the things they know—and the things they suspect—which will change all their lives. We learn that Nina never came home from that weekend trip with Simon, nor has she been in touch with her family. We learn that Simon, who was born with the proverbial silver spoon in his mouth, has a sense of entitlement and a shaky alibi. We learn that each of the parents would do anything to protect their children. And so the stage is set for revelation, revenge, and tragedy. McTiernan turns the traditional thriller on its head by exploring the why and the what over the who. There isn’t a lot of mystery here, but there is deep humanity; it’s a meditation on grief, and helplessness, and what it means to parent a child who might not live the life you thought they would—or might not be the person you want them to be—and how death removes from each of us the illusion of choice or control over past, present, or future. And that is truly haunting.
“The wages of dying is love,” Galway Kinnell once wrote. McTiernan asks if that’s enough.Pub Date: March 5, 2024
ISBN: 9780063042254
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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