Next book

THE HUMAN ZOO

A ZOOLOGIST'S STUDY OF THE URBAN ANIMAL

This is a highly readable but thoroughly irritating book. Morris is a forceful stylist but the same quick flow of discourse which can be insightful about modern society often edges over into blunt absolutes or dire predictions open to question. In a chapter discussing man's reaction to too little or too much stimulation, for example, he remarks, "In infancy there is the example of prolonged thumb-sucking, which results from too little contact and inter-action with the mother." Or in a chapter dealing with race relations ("In-Groups and Out-Groups") he blithely says, "A second American Civil War seems to be imminent." in essence Morris' point is that life on our over-humanly crowded planet mimics the unnatural existence of captive animals in zoos. Under such conditions animals may become homosexual, change their eating and sleeping habits, pace to and fro, get bored, enraged, break down. It follows then that "natural" man in "unnatural" society exhibits the same aberrations for the same reasons: isolation, restriction of territory, lack of stimulation, etc. But man today is not the sum of all mammalian or even higher primate behavior, nor are his sexual behavior patterns or his need for stimulation neatly contained in ten phases of six principles. It is this kind of constant reductio ad absurdum that weakens the value and invites the kind of controversy Morris' books have generally provoked.

Pub Date: Oct. 13, 1969

ISBN: 1568361041

Page Count: 276

Publisher: McGraw-Hill

Review Posted Online: May 21, 2012

Kirkus Reviews Issue: Oct. 1, 1969

Next book

A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

Next book

I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

Close Quickview