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RED ROULETTE

AN INSIDER'S STORY OF WEALTH, POWER, CORRUPTION, AND VENGEANCE IN TODAY'S CHINA

A riveting look inside “the roulette-like political environment of the New China.”

A Hong Kong–raised entrepreneur chronicles a high-flying life of wealth and political connections, eclipsed in harrowing fashion by a new wave of Chinese Communist Party authoritarianism.

In September 2017, Shum’s ex-wife and business partner, Whitney Duan, disappeared without a trace from Beijing, most certainly among the countless victims of trumped-up corruption charges by the relentless arm of Xi Jinping’s Communist Party apparatus. Together, Shum and Duan had built a vast fortune from real estate dealings in China, from the late 1990s through the global recession of 2008, a span of time during which China fully embraced private entrepreneurial energy in order to jump-start the economy. Around 1997, sensing the “go-go energy” of the new boom, in which “stories of instant millionaires and financial sensations” abounded, the couple leapt at the opportunity to enrich themselves, their families, and associates. However, the same intricate political connections that Duan had assiduously cultivated through the years, such as with Zheng Peili (“Auntie Zhang”), the wife of former premier Wen Jiabao, would prove the couple’s undoing as the political winds began to shift with the accession of Xi in 2013. Through a deliberative, slow-building, suspenseful narrative that reveals numerous insights about the mechanics of power and greed, Shum chronicles his humble early beginnings in Shanghai, then Hong Kong, where his family moved for more opportunity and he excelled as a swimmer, through college at the University of Wisconsin and attempts at trying his hand in the fledgling field of private equity. He effectively shows how Duan, a boldly calculating investor from a humble background, helped mold him into a highly successful entrepreneur. While Shum insists that they both fervently believed their wealth could foster social changes, he learned early on that what the Party gives, the Party can take away. Observers of contemporary Chinese affairs, consistently intriguing and murky territory, will find much to interest them here.

A riveting look inside “the roulette-like political environment of the New China.”

Pub Date: Sept. 7, 2021

ISBN: 978-1-982156-15-2

Page Count: 320

Publisher: Scribner

Review Posted Online: June 24, 2021

Kirkus Reviews Issue: July 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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