by Dessa ‧ RELEASE DATE: Sept. 18, 2018
An above-average memoir that itself serves as the musician’s next career chapter.
A rapper shows that her facility with language and revelation extends beyond music.
Though the memoir proceeds pretty much chronologically, it is more like a series of pieces, each with its own focus, than a cohesive narrative. A Minneapolis transplant to New York, raised by a Puerto Rican mother and a Caucasian father, with a degree in philosophy and a background in medical writing, Dessa (Spiral Bound, 2009, etc.) has consistently transcended conventional stereotyping, and her writing should command interest even from readers who know nothing of her work with the Doomtree collective and her solo releases. By her own admission, she came to music late—“in my midtwenties I was old enough to be a retired rapper—inexperienced and without good odds on making it a sustainable career. She succeeded through what she calls “the Tinker Bell model. She’s only real because she is clapped into existence….The Tinker Bell model is the nuclear option. It taps every reserve. It permits no Plan Bs.” Beyond artistic drive, the obsessive undercurrent of this memoir is her on-again, off-again romance with a crewmate (and soul mate?) identified only as X; the relationship was incredibly passionate but so combustible it couldn’t sustain itself. Dessa’s mother and father were equally driven in unorthodox directions, as the former started raising cattle and the latter devoted years to building his own one-man airplane. Some of the narrative is a standard tour diary, what it’s like to be on the road, where, she quotes a Doomtree rapper, you’re “a traveling T-shirt salesman.” She writes of an assignment from the New York Times Magazine in which she was to visit New Orleans like a tourist (so different from visiting as a touring musician), and she writes of her sidelights delivering lectures and performance pieces and of her invitation to contribute to “The Hamilton Mixtape.” It has been a singular career, and it is by no means over.
An above-average memoir that itself serves as the musician’s next career chapter.Pub Date: Sept. 18, 2018
ISBN: 978-1-5247-4229-4
Page Count: 272
Publisher: Dutton
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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