A labyrinth of plot and character motivations makes for a thoroughly enjoyable novel.
In Meserve’s (Perfectly Good Crime, 2016, etc.) mystery, a scientist looks for her missing husband but may not like what she finds.
Astronomer Dr. Sarah Mayfield returns from her NASA presentation in D.C. only to discover her husband, Ben, isn’t at their LA home. There’s a chance he worked late at his popular restaurant, Aurora, but no one, including the couple’s 14-year-old son, Zack, knows where Ben is. His legal team is immediately concerned; he was set to testify against his allegedly thieving Aurora partners, who may have wanted to keep him quiet. Detective James Dawson, however, has another theory: Sarah is behind Ben’s disappearance, as she stands to inherit his family fortune and collect on a primo life insurance policy. Sarah, meanwhile, realizes someone has intentionally wiped footage from their home security system. Believing Ben is hiding something, she keeps the system’s hard drive from authorities and asks Aaron, a co-worker at the Carnegie Institute of Technology, to recover the data. Evidence slowly trickles in, from the drive as well as the FBI, which soon joins the case. Unfortunately, none of it disputes the implication that absent Ben is guilty of a recent murder. Meserve churns out a stirring mystery that rarely lets up. The three main theories regarding Ben’s fate, for example, all have merit and aren’t easily debunked. These are complicated by the characters. Sarah, who narrates, is withholding a few details from authorities, like her restrained attraction to Aaron. At the same time, others are concealing info from Sarah. Chiseled prose gleefully weaves the protagonist through bombshells (where did that handgun in the drawer come from?) and dangers (an unknown intruder creeping onto the Mayfields’ property). A later plot turn puts readers ahead of Sarah, but watching her untangle the mystery remains gripping until the end.
A labyrinth of plot and character motivations makes for a thoroughly enjoyable novel.Pub Date: July 24, 2018
ISBN: 978-1-5039-0140-7
Page Count: 300
Publisher: Lake Union Publishing
Review Posted Online: April 23, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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