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THE BAD SIDE OF BOOKS

SELECTED ESSAYS OF D.H. LAWRENCE

A quirky, wide-ranging compendium, revealing Lawrence’s character and debates over life, art, and faith between the world...

An assortment of nonfiction works by Lawrence (1885-1930) encompassing memoir, literary criticism, and riffs on travel and religion.

Lawrence is best known for novels like Lady Chatterley’s Lover and The Rainbow—or perhaps more precisely, the controversies that erupted upon their publication. In “Pornography and Obscenity,” he addresses the matter directly, drawing a line between pornography (“the attempt to insult sex, to do dirt on it”) and his own mission to loosen sexuality from Victorian constraints. Lawrence wasn’t entirely successful, and he was a man out of time for much of his short life, impatient with British prudery but skeptical of modernism too; rolling his eyes at Joyce and Proust, he wrote that “some convulsion or cataclysm will have to get this serious novel out of its self-consciousness.” Editor Dyer’s selections reveal Lawrence at his most pointed and well reasoned (as in the superb “Morality and the Novel,” in which he argues for the importance of candor and integrity in fiction) as well as his most absurdly woolly. For example, an extended selection from an essay on Thomas Hardy gasses about distinctions between men and women, replete with botany and transportation metaphors. But if Lawrence’s ideas about fiction and gender are debatable, his writing is often pure pleasure. He writes exquisitely about the flora of Tuscany, the sunlight in New Mexico (“arching with a royalty almost cruel over the hollow, uptilted world”), and the resurrection of Christ. Lawrence was at heart a sensualist, but he also had a dishier, snarkier side: “Memoir of Maurice Magnus” is a brutal extended dismissal of a spendthrift aspiring author, and he stomps hard on life in London: “I am being dulled! My spirit is being dulled! My life is dulling down to London dullness.”

A quirky, wide-ranging compendium, revealing Lawrence’s character and debates over life, art, and faith between the world wars.

Pub Date: Nov. 12, 2019

ISBN: 978-1-68137-363-8

Page Count: 512

Publisher: New York Review Books

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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