Like Clarke’s debut, this is technically adventurous, politically relevant, and emotionally engaging.
The author of Thin Girls (2020) turns from disordered eating to sex work in her second novel.
The novel opens with a Vogue features editor gushing about Lady Lane—about her hair, her skin, the way she moves—and complaining about the fact that Lady refuses to share any information at all about her past. She ends with the line: “There’s talk of a multimillion-dollar book deal on the table for Lady Lane’s biography, but no one can get her to agree to tell the whole story.” In the next line, Lady herself takes over the narration. Her first words are, “I’ll start from the beginning.” The tension between one sentence and the next is amusing, but it also hints at what’s to come. This is the “whole story.” It’s the story Lady chooses to tell about herself. But it’s also the stories that other people tell about her—and the fact that these stories are valuable currency is an inevitable product of her celebrity. Lady describes an impoverished childhood in New Zealand, the death of her loving but unreliable mother, and her decision to move to the United States to work as a Bunny in a legal brothel in Nevada. She recounts childhood crushes and how she began charging money for kisses as a girl. And she offers a look inside the sex industry. But there are other voices here, too, co-workers, friends, and other people who know her. Their stories add texture to Lady’s account, and they often contradict her memory of events or her sense of herself. The plot turns on her realization that, although she made the choice to work at The Hop, the brothel’s owner regards her as a commodity, essentially interchangeable with the woman she replaces. The choice to work for him is a one-time exchange; making this choice means giving him license to choose how he uses her. Liberating herself—and her fellow Bunnies—will require a full-scale revolution. Although the narrative ends with some of the trappings of a conventional happily-ever-after, they are hard-won, and Clarke refuses to turn this story into a morality play. Newly rich and famous, Lady doesn’t turn away from sex work. Instead, she uses her new freedom to imagine what sex work might look like if its practitioners were truly empowered and autonomous.
Like Clarke’s debut, this is technically adventurous, politically relevant, and emotionally engaging.Pub Date: June 7, 2022
ISBN: 978-0-06-308-909-9
Page Count: 528
Publisher: Harper/HarperCollins
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
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