A compelling bicontinental story of kinfolk, uniquely illustrated by an artist who’s lived the experience.
A tale of two cousins who find ways to be together despite the distance between them.
Olu lives in Lagos, Nigeria, and Greta lives in Milan, Italy. The narrator emphasizes that since they reside on different continents, they can’t get to each other by walking or skating, by parade or dancing, or several other means. While they could travel by car, boat, or plane, for now, they visit each other virtually and imagine what they might do together when they can meet in person. Ejaita created the illustrations on black paper with colored pencils and digital techniques, and because the characters’ faces and features are drawn on the unillustrated space on each page, Olu and Greta are literally black, with fine white lines that define their features. Perhaps this signals that just as the presence of the color black is ubiquitous in these visuals, Black people can and do live everywhere, countering the notion that people of African descent are monolithic. On nearly every spread, Greta and Olu engage in the same or similar activities, emphasizing that they have a close relationship despite living far apart. Some of Ejaita’s illustrations show the pencil lines, making them highly textured and almost tactile. Along with the dominant black backgrounds, Ejaita, herself of Nigerian and Italian heritage, uses a limited color palette for each spread, giving the book a retro look. (This book was reviewed digitally.)
A compelling bicontinental story of kinfolk, uniquely illustrated by an artist who’s lived the experience. (Picture book. 4-7)Pub Date: Feb. 15, 2022
ISBN: 978-0-593-38490-9
Page Count: 32
Publisher: Rise x Penguin Workshop
Review Posted Online: Aug. 10, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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