Cellular-DNA science and aching hearts intertwine in a compelling SF sequel.
On a human-colonized planet, a rebel settler finds her loyalties tested by her ex, her new pilot/lover, and her small son who has unique DNA qualities.
Fedorak’s sequel to her SF debut, Children of Alpheios (2023), unfolds three years later. Hero Alina DeHerte is a rebel colonist on the distant planet Eamine, peopled by genetically modified humans, where the climate is harsh and native wildlife sometimes dangerous. But another threat is an authoritarian system under Chancellor Jade Graylin, leader of the settlement city Alpheios. Her regime’s economic partner, the genetic-engineering corporation Genodyne, is exploiting a generation of children (“Origins”) born on the planet, fated to develop astounding powers—and one of them is Alina’s epileptic son, Mandin. Defying the exploitation of their offspring, Alina and other dissidents fled to establish their own haven, Evesborough. The strife led to the end of Alina’s relationship with Alpheios’ law-and-order security chief Chance—who is Graylin’s son— even though he enabled her escape with Mandin. Now, Alina is engaged to an Evesborough man and Mandin’s seizures are controlled with medication. But Evesborough still struggles for supplies. In Alpheios, a civilian uprising brews after a reckless Genodyne rollout of an anti-aging drug unleashes a disease, and one of the victims is Alina’s mother. Alina’s DNA makeup points to a cure, and Chance wants a reunion with his son. Reluctantly, Alina agrees to a temporary visit to the city in a gene-science exchange deal. Amid the intrigue, Chance sees an opportunity to rekindle his ex’s ardor. Fedorak must keep a lot of balls in the air and plates (or petri dishes) spinning, and newcomers to the saga may be somewhat confused by the ensemble cast and the machinations. In the foliage are such compelling creations as “kronosapiens,” Genodyne’s mistreated, artificially evolved humanoids, both beastly and disturbingly advanced, and a hint of something even darker, “an ancient and foul entity lurking somewhere down tunnel four,” kept offstage this time. But, at least until a literally explosive final act, the double-helix intricacies of relationships and emotions have a priority over action and weaponry. Though the novel leaves many narrative threads unresolved, this is quality SF from an exciting, fresh voice in the genre.
Cellular-DNA science and aching hearts intertwine in a compelling SF sequel.Pub Date: Jan. 20, 2025
ISBN: 9781509259021
Page Count: 402
Publisher: Wild Rose Press
Review Posted Online: Dec. 4, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.
A Wallace & Gromit dream is more of a nightmare in this darkly farcical science fantasy in which the moon inexplicably becomes…well, not green, but decidedly dairy.
When the moon and every lunar sample on Earth transform into a cheese-like substance, it seems amusing at first, but the appearance of this newly organic, extremely unstable satellite has far-reaching, apocalyptic consequences. A variety of U.S. citizens—disappointed astronauts from newly cancelled lunar missions, scientists whose understanding of the universe has been entirely upended, writers frantically adapting their pitches, retirees at a rural diner finding solace in their friendship, a small church community looking for divine answers, bickering cheese-shop owners whose product gets both welcome and unwelcome attention, the ultra-wealthy owner of an aerospace company with a spectacularly self-involved agenda, bank executives seeking a financial angle, and government officials desperately scheduling press conferences—respond in ways grand and petty, generous and self-serving. Those responses can only escalate when a cheesy lunar fragment threatens to destroy all life on our planet. Scalzi’s premise is absurd, but it’s merely the pretext to take a multifaceted, satiric look at how Americans deal with large-scale crisis, something we’re abundantly and recently familiar with, and will no doubt experience again in the not-so-distant future. He writes of denial, conspiracy theories, anger directed at the wrong people, unscrupulous political machinations, and multiple attempts at profiting from the end of the world, for as long as it lasts. There are moments of unexpected kindness and generosity, too. Of course, Scalzi takes aim at his favorite corporate, social, and government targets, as well as at the cheap sentiment that crisis always seems to inspire (as exemplified by a catastrophic Saturday Night Live episode).
A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.Pub Date: March 25, 2025
ISBN: 9780765389091
Page Count: 336
Publisher: Tor
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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