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A Couch Named Marilyn;

MY BIG FAT MESS CALLED PTSD

Remarkably honest, powerful, and vivid.

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In this memoir, a woman recounts her escape from an armed robber and her physical, emotional, and spiritual recovery from the experience.

In October 2008, Diana Martin was facing the stress of a tanking real estate market after having gone into business full time as a house flipper—buying, renovating, remodeling, and selling properties. She’d always paid her bills and had good credit, but with three mortgages and no buyers, she was facing foreclosure and bankruptcy. So, when a man—The Guy, as she mostly refers to him—knocked on the door, grasping one of her flyers, she was hopeful. And then she felt the handgun at her head. She fought back, getting pistol-whipped into concussion and broken teeth; the robber zip-tied her hands together and demanded money. Following an inner voice, Martin ran, screaming, and escaped, finding safety with a neighbor. In fiction, the story would be over—but as Martin ably shows in this gripping memoir, recovery from trauma is not that simple. Returning home, she notices her cats’ food bowls “filled halfway with my dark, almost black, blood….They never show that part in the movies, people cleaning up their own mess.” Having fought off one robber, Martin also had the “overpaid thieves” of Wall Street ruining her prospects. All she wanted to do was sleep on her lovely couch, named Marilyn for its seductive curves, but she had to start a new profession (which didn’t go smoothly) and endure the extended stress of The Guy’s trial. Readers will admire Martin’s tenacity, honesty, and humor, as when first confronted by The Guy: “Whoa, he wanted money from me? Get in line, buddy.” Each insight is hard-won, and Martin limns the slow process well. She also describes images from meditation that have poetic resonance. The second half of the book is perhaps overdetailed, but this can be understood: Martin commits to fully tracing the difficulties she faced. This is that rare inspirational book without a trace of pink-cloud saccharinity.

Remarkably honest, powerful, and vivid.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: BellaVista Publishing House

Review Posted Online: Sept. 10, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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