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ONE SNOWY DAY

Although far from unique, this gambol allows parents and children room to talk about seasonal weather and activities.

The delights of snow-day snow-play in a small town are enumerated in this early concept book for tots.

Snow falls overnight. In early morning, one puppy barks and two small children wake up. All three smile as they look out the window onto the snow-covered grass. Rhyming text sets a gentle pace as they venture outside: The humans pull on four boots, then the trio pulls their sled past five pine trees. In this childcentric tale (no adults in sight), they are soon joined by a diverse cast of six friends eager to sled, make snow angels, and build snowmen. (The two protagonist children have light-brown skin and straight, blue hair.) The spelled-out numbers appear in large colorful type, but numerals are not included—a lapse. Blue and white dominate the wintry palette, and the white landscape gives readers’ eyes plenty of space to focus on the items named and counted. A cozy feel is created by a series of soft, rounded shapes: puppy’s bed, children’s heads, snowballs, and pond. As the activities wind down, readers begin to count backward until the three are home again. The siblings enjoy two cups of cocoa and one puppy starts to doze.

Although far from unique, this gambol allows parents and children room to talk about seasonal weather and activities. (Picture book. 3-6)

Pub Date: Oct. 1, 2018

ISBN: 978-1-4926-4586-3

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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GREEN IS FOR CHRISTMAS

Fun enough to read once but without enough substance to last.

Familiar crayon characters argue over which color is the essential Christmas color.

Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)

Fun enough to read once but without enough substance to last. (Picture book. 3-6)

Pub Date: Oct. 19, 2021

ISBN: 978-0-593-35338-7

Page Count: 32

Publisher: Philomel

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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