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FOR DARKNESS SHOWS THE STARS

A perfectly pleasant read on its own, this could send readers to investigate the source—a happy outcome indeed.

A post-apocalyptic retelling of Jane Austen's Persuasion scores high for ingenuity but loses points with sledgehammer morality.

Elliot North is a Luddite, one of the elite destined to care for the mentally Reduced remnant after human genetic engineering went catastrophically wrong. But she has begun to question her duty; her family seems more interested in luxurious leisure than estate management. Her people will starve without recourse to forbidden technology, and more and more Post-Reduced children are being born. None of these "Posts" are more clever than Kai, her best friend until he ran away four years ago. Now he has returned with the fleet of Post explorers who could be the last hope for saving Elliot's heritage, but his bitterness toward Elliot may be hiding a more dangerous secret. The plot stays surprisingly faithful to Austen; the setting is cleverly updated to a futuristic dystopia, but it fails to explore the more interesting societal and technological ramifications. Instead, the original's subtle delineation of the nuances of class and social change is replaced with heavy-handed condemnations of slavery, anti-intellectualism and fundamentalist religion. The protagonists are now barely 18, and the compressed timeframe makes their remarkable accomplishments implausible, even with nigh-magical nanotechnology. However, as the emotional drama is similarly ramped to extremes, the target audience may be too swept away by righteous indignation and swoony romance to notice any lapses of logic.

A perfectly pleasant read on its own, this could send readers to investigate the source—a happy outcome indeed. (Dystopian romance. 13 & up)

Pub Date: June 12, 2012

ISBN: 978-0-06-200614-1

Page Count: 416

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: April 10, 2012

Kirkus Reviews Issue: May 1, 2012

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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  • New York Times Bestseller

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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