A perfectly pleasant read on its own, this could send readers to investigate the source—a happy outcome indeed.
A post-apocalyptic retelling of Jane Austen's Persuasion scores high for ingenuity but loses points with sledgehammer morality.
Elliot North is a Luddite, one of the elite destined to care for the mentally Reduced remnant after human genetic engineering went catastrophically wrong. But she has begun to question her duty; her family seems more interested in luxurious leisure than estate management. Her people will starve without recourse to forbidden technology, and more and more Post-Reduced children are being born. None of these "Posts" are more clever than Kai, her best friend until he ran away four years ago. Now he has returned with the fleet of Post explorers who could be the last hope for saving Elliot's heritage, but his bitterness toward Elliot may be hiding a more dangerous secret. The plot stays surprisingly faithful to Austen; the setting is cleverly updated to a futuristic dystopia, but it fails to explore the more interesting societal and technological ramifications. Instead, the original's subtle delineation of the nuances of class and social change is replaced with heavy-handed condemnations of slavery, anti-intellectualism and fundamentalist religion. The protagonists are now barely 18, and the compressed timeframe makes their remarkable accomplishments implausible, even with nigh-magical nanotechnology. However, as the emotional drama is similarly ramped to extremes, the target audience may be too swept away by righteous indignation and swoony romance to notice any lapses of logic.
A perfectly pleasant read on its own, this could send readers to investigate the source—a happy outcome indeed. (Dystopian romance. 13 & up)Pub Date: June 12, 2012
ISBN: 978-0-06-200614-1
Page Count: 416
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: April 10, 2012
Kirkus Reviews Issue: May 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A thought-provoking and grimly enjoyable tale exploring a strange future.
A virus that kills some but leaves those who recover utterly happy and filled with empathy is at the center of this dystopian science-fiction thriller.
In a post-Covid-19 society, the fates of three teens become intertwined when the new Crown Royale virus breaks out. Despite the 4% mortality rate, its positive effects on those who survive quickly make it desirable, and some people purposefully try to catch it. Using third-person narration, Shusterman introduces Mariel Mudroch, who at the story’s opening is living in a car with her mom; Mariel turns out to be immune to the virus. The boy she falls for, Rón Escobedo, is from an extraordinarily wealthy family and has suffered from persistent depression. When he recovers from the virus, he learns that he’s an alpha-spreader, someone who continues shedding the virus even after they’re healthy. Finally, ambitious Morgan Willmon-Wu is approached by the rich and powerful Hungarian-born Dame Havilland, who leaves her money to Morgan, stipulating that she use it to “eradicate Crown Royale from the face of the Earth.” In his trademark darkly witty, wonderfully over-the-top style, the author meanders through interesting ethical questions as the action plays out globally with a cast of diverse background characters, eventually leading to a conclusion that leaves things wide open for a sequel. Mariel presents white, Rón is cued Latine, and Morgan, who’s interested in both girls and boys, is biracial (Chinese and white).
A thought-provoking and grimly enjoyable tale exploring a strange future. (Dystopian. 13-18)Pub Date: Feb. 4, 2025
ISBN: 9781534432758
Page Count: 528
Publisher: Simon & Schuster
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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