An invaluable therapeutic resource aimed at kids.
A debut guide for children with anxiety problems provides an animal tale and an interactive workbook.
This manual by two child psychiatrists—based on their therapeutic treatment program—has a straightforward design: eight chapters of “Leo the Lion’s Story of Bravery” and eight corresponding workbook sections. Leo is nervous about speaking to other animals because he fears that they will make fun of him. With the help of his mother, he uses stress-reducing techniques such as Spaghetti Arms and Toes (progressive muscle relaxation), Balloon Breathing (abdominal breathing), and Imagery. Then, in Bravery Club, he learns about his “Sneaky Fears,” portrayed as two snarling, smelly jackals. His teacher explains: “Your worst fears, these wild and scary beasts, need to be tamed.” In time, Leo exposes their tactics—telling falsehoods, exaggerating, and showing only bad things—and begins to think courageous thoughts instead. Soon he discovers that he can also employ a “Feeling Thermometer” to recognize and reduce negative emotions. In the final chapters, Leo and his new friend, Ellie the Elephant, practice what they’ve learned in order to overcome their fears. The workbook precisely matches the clever story and includes application activities like practicing stress-reducing methods, drawing “Sneaky Fears,” and deciding what steps to accomplish on the “Bravery Ladder.” There are also several invitations to draw “body scans” of how readers feel when experiencing different emotions. Benoit and Monga have done an excellent job of presenting evidence-based, anxiety-reducing techniques in a way that is both creative and comprehensible. They utilize simple language, adequate repetition, and memorable metaphors, making the guide’s message crystal clear to young children. The vivid and expressive digital drawings by Reyes (Story Bird Dance and the Snowbird Ballet, 2016, etc.) also aid the audience because they deftly illustrate the tale’s plot and emotions. The principles in these pages are universal for anyone battling anxiety, and the workbook allows readers to personalize the story and become “the boss” of their bodies and brains. Parents of children plagued by anxiety should be especially grateful for this volume because of the understanding, tools, and hope that it offers.
An invaluable therapeutic resource aimed at kids.Pub Date: June 7, 2018
ISBN: 978-1-5255-1882-9
Page Count: 96
Publisher: FriesenPress
Review Posted Online: Aug. 16, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Review Program: Kirkus Indie
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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