Socially conscious melodrama at its best.
An idealistic North Carolina social worker defies her employers to save impoverished children from overzealous social engineering in Chamberlain’s well-researched page-turner.
Chamberlain’s author’s notes point out that from 1929 to 1975, North Carolina’s state-fostered Eugenics Sterilization Program sterilized thousands of women and men. Her novel, set in 1960, examines the impact of such interventions on a tiny, almost feudal enclave of tobacco farmers. Two narrators represent opposite poles of Southern society. Against the wishes of her doctor husband, Jane Forrester, a recent college graduate, has taken a job in Raleigh with the Department of Public Welfare. Ivy Hart, 15, is struggling to keep what is left of her family intact. Her father, Percy, was killed in an agricultural accident. Davison Gardiner, who owns the farm where the white Harts, and their black neighbors, the Jordans, live and work, allows Ivy, her diabetic grandmother, and her beautiful and mentally challenged sister, Mary Ella, to continue occupying their shack rent-free. Gardiner regularly supplements their paltry wages (and welfare checks) with food donations, presumably out of guilt over Percy’s accident, although Ivy’s mother, who is institutionalized, scarred Gardiner’s wife in a fit of rage and grief. As the Harts’ newest caseworker, Jane soon finds herself in an ethical quagmire. At DPW’s instigation, Mary Ella, mother of 2-year-old William (father unknown), was involuntarily sterilized in the hospital after his birth. Ivy is sneaking out at night to meet Gardiner’s son, Henry Allen. By the time Jane realizes that Ivy is several months pregnant, she has succumbed to departmental pressure to petition for Ivy’s sterilization on the grounds of childhood epilepsy and low IQ. Once Ivy delivers her child, she will suffer the same fate as her sister, unless Jane is willing to buck the system at the expense of her career. The stakes mount to dizzying heights (even for such an isolated pocket, Gardiner’s unbridled sway over his tenants seems extreme); Chamberlain certainly knows how to escalate tension.
Socially conscious melodrama at its best.Pub Date: Sept. 3, 2013
ISBN: 978-1-250-01069-8
Page Count: 352
Publisher: St. Martin's
Review Posted Online: July 19, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
