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PRETENDING TO DANCE

A prospective adoptive mother examines her past and her conscience prior to embarking on her parental journey.

Molly and her husband, Aidan, involuntarily childless attorneys in San Diego, are going through the fraught process of qualifying to adopt. Molly, 38, has a degree of trepidation about how “open” this adoption is expected to be: is the birth mother, Sienna, expecting to be part of her child’s life in perpetuity? Molly’s misgivings are understandable; she herself is the product of a family in which her birth mother, Amalia, lived close by, and she witnessed the discomfort such proximity created for her adoptive mother, Nora. Molly has not told her husband why she's now estranged from both Amalia, who's dying, and Nora—in fact, she's told him almost nothing about her past. The present narrative is interspersed with chapters flashing back 24 years to Morrison Ridge, a large tract of family-owned land in the wooded hills near Asheville, North Carolina: Molly is 14, living with her mother, Nora, and her father, Graham, a psychotherapist who has invented a new behavioral regimen, “Pretend Therapy.” Multiple sclerosis has left Graham paralyzed from the neck down. Molly is a bookish, precocious teen who types Graham’s manuscripts and accompanies him on book tours. However when she falls under the influence of a classmate, Stacy, who introduces her to older boys, the plot takes a major detour through teen-novel territory: Molly’s main preoccupation, enabled by a Judy Blume novel no less, is now losing her virginity. In the meantime, Graham and his relatives are wrangling over the fate of the Ridge: one faction wants to sell to a developer while others, including Molly’s grandmother and Graham, want to keep the land pristine. While the family argues and Molly’s hormones run wild, something else is going on that will make for the explosive revelation at novel’s end. Marred by excessive sentimentality and superfluous exposition that dilutes the drama.

 

Pub Date: Oct. 6, 2015

ISBN: 978-1-250-01074-2

Page Count: 352

Publisher: St. Martin's

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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