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RECOLLECTIONS OF MY LIFE AS A WOMAN

THE NEW YORK YEARS

A rich trove for literary archaeologists in search of artifacts from the Beat epoch.

An informative, comprehensive account of one woman’s rise in the literary underground, ripe with the flavors and transformations of the Beat Generation.

San Francisco poet di Prima (Loba, not reviewed) is considered the most prominent woman among the “beatniks” (Corso, Kerouac, Ginsberg et al.) of the 1950s. Her unconventional career, however, was hardly forecast by a 1930s girlhood filled with violence and foreboding, in which the bright child was alternately confused and tormented by her strict Italian family and the cruel Brooklyn streets. After an unsatisfying year at Swarthmore, she dropped out and began to move with a small circle of estranged nonconformists in rundown Manhattan locales, where they experimented with sex, drugs, and art. The author brings a relentless acuity to her depiction of sensual, chaotic times, and she is astute in her portrayal of the awkward place women occupied in this bohemian hierarchy. She produces a sharp sense of the creative collisions of the day—involving figures as diverse as Allen Ginsberg, Kenneth Rexroth, Le Roi Jones, Charlie Parker, Merce Cunningham, Martin Landau, and Audre Lorde—and of the Beats’ sense of embattlement against a repressive city and police. While not exactly stream-of-consciousness, strongly evocative passages alternate throughout with ones that might have been trimmed. Many of the recollections of di Prima’s early years are warm and affectionate, as are her reminiscences of her first lover (a gentle, literate longshoreman twice her age). The author also details her circle’s founding of important small presses, theater companies, and other cultural outlets.

A rich trove for literary archaeologists in search of artifacts from the Beat epoch.

Pub Date: April 23, 2001

ISBN: 0-670-85166-3

Page Count: 496

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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