Graphic scenes of animal torture make for a sometimes painful read, but the passion here can also make it worth the effort.
The author of several books on dog behavior offers her first novel: a sharp indictment against the use of dogs in animal research.
Animal behaviorist Viktor Hoffman, who studies the rare feral dog, discovers a pit bull that has been surviving on its own in the forest and sets about tracking the dog’s actions. Injured in the woods, Hoffman is rescued by the dog, which he names Damien. But that doesn’t stop him from later attaching a bulky radio collar to Damien that (unbeknownst to the researcher) severely inhibits the dog’s ability to hunt. Hoffman eventually finds Damien nearly starved, the collar wedged between rocks. Feeling a sense of obligation, he saves the dog’s life, but only for a fate worse than death: Hoffman brings Damien to his university’s animal research lab, albeit with a note attached preventing any terminal studies. Vividly depicting Damien’s lot as a research animal, the author catalogues one horror after another: he's shocked, shot, and left to linger in a small cage for the rest of his life. Enter Elizabeth Fletcher, a pre-med student working part-time in the lab as an animal handler. The daughter of a researcher who himself experiments on dogs, Elizabeth has never had a pet and can’t fathom any special connection between the two species . . . until she meets Damien. The dog’s nobility (Jessup waxes poetic about the breed a bit too often) intrigues her, and soon she is secretly taking him out at dawn for walks and teaching him tricks. Very special tricks: when Elizabeth teaches Damien how to speak, she gets him to actually articulate human words. Later, though, she inadvertently puts him into the hands of evil Dr. Seville, who intends to use Damien’s miraculous skill to build his reputation—at any cost.
Graphic scenes of animal torture make for a sometimes painful read, but the passion here can also make it worth the effort.Pub Date: June 1, 2001
ISBN: 0-312-26662-6
Page Count: 400
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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