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LORNA MOTT COMES HOME

Doing what she does best, Johnson shows us why she's been compared to writers like Henry James, Jane Austen, and Voltaire.

A Californian facing her second divorce, this one in France, returns to the bosom of her family.

In her 18th book, Johnson, now 86, returns with undimmed joie de vivre to the delicious Francophile vein she mined so successfully in her National Book Award finalist Le Divorce (1997) and other novels. Everything one looks forward to in Johnson's books is delivered in abundance here: nimble plotting, witty narration, edifying juxtaposition of French and American cultures. Returning to her hometown of San Francisco just before the financial crisis of the aughts, art historian Lorna Mott "had remembered America differently, without people lying in the street, neighbors being tied up and robbed, junk food, obesity, cars everywhere." Yet after 20 mostly happy years in the sweet village of Pont-les-Puits, she has had it with her aging playboy husband's indiscretions and now hopes to be of use to her adult children. They have problems, almost all concerning finances. Divorced Peggy can't make ends meet selling crafts on the internet; money's run out for daughter Julie's college tuition. Tech wonder-boy Curt has disappeared to the Far East after awakening from a coma, leaving a wife and young twins. Old hippie Hams and his pierced and pregnant wife are living in a terrible neighborhood. Their father, Lorna's ex, has married a young gazillionaire but seems to have little interest in helping the children of his first marriage—until he faces a problem with their 15-year-old half sister that manages to pull almost all the plot elements and cast members into a single focus. Ta da! Johnson's social and moral insight are condensed into pithy one-liners that begin each chapter: "Hope springs eternal and is sometimes rewarded." "Pace Freud, does talking about a problem always make us feel better?" She also excels at evoking people's misconstruals of others' behavior and various delicate inner states: "Her French troubles with Armand and wifedom had faded to a bearable background hum, a kind of tinnitus."

Doing what she does best, Johnson shows us why she's been compared to writers like Henry James, Jane Austen, and Voltaire.

Pub Date: June 29, 2021

ISBN: 978-0-525-52108-2

Page Count: 336

Publisher: Knopf

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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WE ALL LIVE HERE

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

A recently divorced writer juggles a chaotic full house, a struggling career, and a confusing romantic life.

Lila Kennedy thought she had the perfect family—a loving mother, a doting stepfather, two wonderful daughters, and a great husband. She even wrote a self-help book about repairing a marriage, which was published a mere two weeks before her husband left her. After her own mother’s sudden death, Lila finds herself an unexpected single mom with her health-nut stepfather, Bill, for a roommate. When her long-absent actor father, Gene, moves in, things go from crowded to chaotic. When Gene isn’t talking about his memories of starring on a Star Trek–like television show, he’s starting fights with Bill. Perhaps the worst part is that Lila’s supposed to produce a new book about the unexpected direction her life has taken. She quickly finds that writing about her real-life romantic exploits (including the kind gardener Bill hired and the sexy single dad she lusts after at school pick-up) and the actual heartbreak that upended her family is easier said than done. Moyes creates a world that is believable and funny. It’s hilarious to read about the distinct characters in Lila’s life—such as her lentil-loving stepfather and egocentric biological father—interacting with each other. There’s plenty of drama here, but none of it feels forced. It all comes from flawed people doing their best to coexist and making plenty of mistakes along the way. Moyes combines the warmth of an Annabel Monaghan rom-com with the humanity of a Catherine Newman novel, creating a story that will provoke tears and laughter.

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

Pub Date: Feb. 11, 2025

ISBN: 9781984879325

Page Count: 464

Publisher: Pamela Dorman/Viking

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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