by Diane Johnson ‧ RELEASE DATE: Oct. 2, 2008
As stimulating as Johnson’s previous work, but there are too many loose ends (an unexplained fire, the fate of a kid nabbed...
Johnson (L’Affaire, 2003, etc.) breaks new ground by making her American expatriate a CIA spy in Morocco.
Thirty-something Lulu Sawyer is on her second assignment. In Kosovo she had begun an affair with an Englishman, Ian Drumm, a wealthy businessman based in Marrakech, where Lulu is now posted. Her cover will include her affair and her work on female literacy programs. Her low-level mission is to gather intelligence on the money trail feeding terrorists. She will be disowned if caught, but that’s OK with Lulu, who’s looking for adventure and happy to be reunited with Ian at his luxurious estate with its colorful houseguests, both British and American expats. This is not a conventional espionage novel. While Johnson tracks Lulu’s tradecraft, she also explores the Western/Islamic divide, illustrated most vividly by different attitudes toward Islam’s great prize, virginity, and the dilemma of their neighbor Suma, a young Parisian Muslim in flight from her brother Amid, bent on vengeance for her presumed loss of virginity. The plot thickens when Amid arrives in Marrakech followed by Lulu’s case officer, who has tagged him a terrorist. Another complication arises when a Saudi woman, Gazi, leaves her husband for the sanctuary of Ian’s home and Lulu realizes they’ve been conducting their own affair. It’s even possible that Ian himself is in cahoots with the terrorists. Bombs go off around the city and Lulu finds herself a principal in a kidnapping that ends in a death. The Americans have messed up; Lulu is one of the fall guys. By now she has grasped that she’s “too goody-two-shoes” to be a successful spy, while her love for Ian has deepened. Curiously, though, Johnson has her act out of character, breaking up with Ian and taking another assignment in London.
As stimulating as Johnson’s previous work, but there are too many loose ends (an unexplained fire, the fate of a kid nabbed by Moroccan security) and the resolution disappoints.Pub Date: Oct. 2, 2008
ISBN: 978-0-525-95037-0
Page Count: 336
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2008
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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