by Diane O'Neill ; illustrated by Anastasiya Kanavaliuk ‧ RELEASE DATE: Oct. 3, 2024
A sensitive rendering of a child’s response to a loved one’s addiction.
A young girl tries to help her older brother, who recently began using drugs.
Dylan used to play with Fiona and comfort his little sister when mean kids teased her, but now he flakes out on taking her to the museum, and she spots him meeting up with a mysterious stranger. He argues with their parents and steals money. After Fiona sees him shoving something into his desk, she speaks up. When their parents realize that Dylan’s been using drugs, they explain what’s going on and arrange for him to enter rehab. Notably, this book makes clear that while drug addiction is harmful, those who use drugs aren’t bad people. The story also addresses the important elements of forgiveness and responsibility: Fiona shows a willingness to believe in her brother’s recovery, and Dylan apologizes for and takes ownership of his past mistakes. The recurring image of a large, blue bedroom door separating Fiona from her brother’s downward spiral acts as a symbol for his secrecy and her lack of understanding. Her emotional reactions range from loneliness to fear, gut-deep tension, guilt, worry, doubt, and optimism, with each one clearly portrayed through Fiona’s facial expressions. Dylan’s drug use is never visually depicted; Mom and Dad refer to it as “using drugs” as well as an “illness” and a “sickness.” Fiona and her family present white.
A sensitive rendering of a child’s response to a loved one’s addiction. (author’s note, further resources) (Picture book. 4-8)Pub Date: Oct. 3, 2024
ISBN: 9780807552575
Page Count: 32
Publisher: Whitman
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Diane O'Neill ; illustrated by Brizida Magro
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
BOOK REVIEW
developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
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by Ashley Spires ; illustrated by Ashley Spires
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