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THIN PLACES

An often engaging romance/mystery with a hint of the otherworldly.

An ex-convict meets the daughter of a death-row inmate in Prettyman’s (Redesigning Emma, 2013) debut novel.

In Clam Harbor, Wash., Chloe Thomas masquerades as Chloe Gallagher to conceal her relation to her father, Calvery Thomas, a convicted murderer awaiting execution in Texas. Although she barely earns a living as a charter boat captain, she commits to paying a $1,000 fee to obtain her father’s ashes after his death, but she’s unsure where she’ll get the cash. Through an acquaintance, she meets Texan Duke Summers, who proposes that she help him smuggle shipments of alcohol north to sell to the Native Americans on Vancouver Island. Chloe reluctantly agrees, risking imprisonment while pocketing a grand every trip. Just before his scheduled execution date, Calvery tells fellow inmate Finn Tully that he’ll see him “in the thin places”—a reference to the intersection of this world with the next. When Finn is released from prison, he makes good on his promise to track down Calvery’s daughter, proclaim the man’s innocence and search for missing treasure. After Finn arrives in Clam Harbor, he and Chloe are instantly attracted to each other but also distracted by the circumstances that surrounded Calvery’s arrest and imprisonment. Although this solid novel’s title refers to locales close to the great beyond, it’s not particularly mystical save for one out-of-this-world scene near its end. The text is occasionally marred by missing quotation marks and inconsistent formatting, but, that said, the dialogue between Chloe and Finn rings true. Their story is refreshingly free of the sort of trumped-up incidents that often throw male and female leads together, and Prettyman intriguingly finds resonance in the fact that Chloe and Finn each harbor secrets.

An often engaging romance/mystery with a hint of the otherworldly.

Pub Date: Sept. 16, 2012

ISBN: 978-0615698854

Page Count: 242

Publisher: Diane Owens Prettyman

Review Posted Online: Sept. 4, 2013

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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