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DEAR HUBBY OF MINE

HOME FRONT WIVES OF WORLD WAR II

An endearing snapshot of a wartime marriage unlikely to appeal to a wide readership.

A daughter lovingly reconstructs her parents’ lives based on the letters they exchanged while separated during World War II.

Irma and Louis Vajda had similar childhood experiences growing up in an insular enclave of Eastern European families in Cleveland. Both Hungarian—Irma was born in the U.S. to immigrant parents, and Louis arrived from Hungary in 1921 at the age of 7—they faced discrimination whenever they ventured beyond their neighborhoods. They met in 1938 at a dance and married two years later during a tumultuous time in American history, haunted by both the Depression and the specter of world war. Louis was drafted into the Navy in 1943 as an apprentice seaman and served aboard the USS Bull, an assignment that often proved terribly dangerous. Between 1943 and 1945, Louis and Irma exchanged more than 500 letters, the correspondence a remarkably touching “lifeline between husband and wife.” Budden (The Un-Common Raven: One Smart Bird, 2013, etc.)—the daughter of Louis and Irma—weaves a short history of her parents’ marriage based on those letters, some reproduced in the book. Those two years of separation caused great anxiety for both, and the tender epistles provided much-needed reassurance, especially for Irma, who writes: “I want so to hear from you. Please don’t give me any excuses. That isn’t what I want! Don’t say there isn’t anything to write about. There is too! Even if you just say things like ‘I got up from my chair and then sat down again.’ ” The author skillfully gives a peek at her parents’ lives and at those of immigrants in the U.S. during a period of unrest and scarcity. A thoughtful account of the ways in which the war transformed the place of women in society—essentially compelled to join the workforce in the absence of their husbands—emerges as well. The letters often dwell on quotidian matters like bills, and the story as a whole is very personal, accompanied by family photographs. As a result, Budden’s book will likely be most appreciated by those in her sphere of family and friends.

An endearing snapshot of a wartime marriage unlikely to appeal to a wide readership.

Pub Date: Jan. 19, 2020

ISBN: 978-0-578-55760-1

Page Count: 192

Publisher: Red Rock Mountain Press

Review Posted Online: Jan. 24, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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