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HIGH KILL

An immersive and substantial murder mystery with a strong heroine.

Awards & Accolades

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In this fish-out-of-water thriller, a Richmond reporter takes on a curious homicide case in Appalachian Virginia.

Television reporter Taylor Beckett is not initially interested in driving from Richmond all the way to southwest Virginia to cover the detection of three bodies, all men, each found sealed in a plastic drum and dumped in the woods. “Somebody’s moonshine gig gone bad, probably,” thinks Taylor. “Or dope. Always dope in that part of the state.” But once she gets there, she realizes there is more to the story than meets the eye. For one, the men were all killed by a different method. For another, Eric Blevins, a sensitive, animal-loving teenage water utility employee who found the first victim, has a name very similar to that of a man from Taylor’s past. She successfully coaxes Eric into talking to her, no mean feat in the highly secretive holler culture of Randall County. Haunted by an unresolved trauma from her past, Taylor throws herself into investigating the murders, especially since the local authorities don’t appear particularly interested in doing so. Little does she know she will be forced to wade through a quagmire of corruption, addiction, prostitution, animal cruelty, and a generationslong suspicion of outsiders in her attempt to solve a case that gets right to the heart of modern Appalachia. Ryan’s (Wingspan, 2017, etc.) prose is textured and lived-in, particularly when describing the settings and people of Randall County. “It’s not odd,” says Eric, when Taylor asks him about a man shooting a hunting dog. “Not around here. A dog don’t do the job, it serves no purpose. Hunters kill ’em all the time. Leave ’em in the woods. Trade ’em, dump ’em, whatever.” Taylor—a jaded but ambitious loner who knows how to handle her male co-workers—will read as a bit overly familiar to fans of the genre, but her well-developed backstory provides an intriguing ballast and helps explain her drive to find answers. On the whole, the author manages to move beyond crime novel clichés and expose the deeper ills of the society in which her tale is set.

An immersive and substantial murder mystery with a strong heroine.

Pub Date: April 21, 2019

ISBN: 978-1-73360-400-0

Page Count: 375

Publisher: Tanglebranch Manor

Review Posted Online: May 3, 2019

Kirkus Reviews Issue: June 15, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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