by Diane Stanley & illustrated by Diane Stanley ‧ RELEASE DATE: Aug. 31, 2000
Stanley is the premier creator of handsome, artistically ambitious, and factually accurate illustrated books that explore and explain the lives and times of major figures throughout history (Joan of Arc, 1998; Leonardo Da Vinci, 1996). She now trains her educated eye on and turns her skilled hand to that Renaissance master of painting and sculpture—Michelangelo. Building on strong preparatory research, Stanley, like the best adult biographers, distills the culture, history, politics, and aesthetic of this unique era. Stanley particularly excels in selecting and integrating just enough context and detail to assure a genuine, empathetic treatment. Indeed, she weaves all the major elements of Michelangelo’s long and astonishingly creative life into a compelling, anecdote-rich narrative: his country childhood with a wet-nurse and her stonecutter husband; early apprenticeships with the fresco painter Ghirlandaio and the sculptor Bertoldo; his “adoption” by Lorenzo de’ Medici of Florence and the benefits of long-term friendships with the Medici family members; his early and dramatic successes with the Pietà and the David; the patronage of Pope Julius II, which led to the Sistine Chapel ceiling and the astonishing Moses; work on the Medici Chapel, the Sistine Chapel’s Last Judgement, St. Peter’s in Rome (not completed in his lifetime); and finally, his peaceful death at 89. Stanley wisely understands the breadth of her own technique; instead of attempting to render these familiar Renaissance images herself, she ably integrates computer-manipulated reproductions of Michelangelo’s masterpieces into her carefully rendered mixed-media illustrations. This handsome, affordable, lavishly illustrated and wonderfully readable book has broad appeal. It deserves heavy representation in home, school, and public library collections. (Biography. 9+)
Pub Date: Aug. 31, 2000
ISBN: 0-688-15085-3
Page Count: 48
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2000
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by Diane Stanley ; illustrated by Jessie Hartland
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by Sarah-SoonLing Blackburn ‧ RELEASE DATE: March 26, 2024
Deftly written and informative; a call for vigilance and equality.
An examination of the history of Chinese American experiences.
Blackburn opens with a note to readers about growing up feeling invisible as a multicultural, biracial Chinese American. She notes the tremendous diversity of Chinese American history and writes that this book is a starting point for learning more. The evenly paced narrative starts with the earliest recorded arrival of the Chinese in America in 1834. A teenage girl, whose real name is unknown, arrived in New York Harbor with the Carnes brothers, merchants who imported Chinese goods and put her on display “like an animal in a circus.” The author then examines shifting laws, U.S. and global political and economic climates, and changing societal attitudes. The book introduces the highlighted people—including Yee Ah Tye, Wong Kim Ark, Mabel Ping-Hua Lee, and Vincent Chen—in relation to lawsuits or other transformative events; they also stand as examples for explaining concepts such as racial hierarchy and the model minority myth. Maps, photos, and documents are interspersed throughout. Chapters close with questions that encourage readers to think critically about systems of oppression, actively engage with the material, and draw connections to their own lives. Although the book covers a wide span of history, from the Gold Rush to the rise in anti-Asian hate during the Covid-19 pandemic, it thoroughly explains the various events. Blackburn doesn’t shy away from describing terrible setbacks, but she balances them with examples of solidarity and progress.
Deftly written and informative; a call for vigilance and equality. (resources, bibliography, image credits) (Nonfiction. 10-14)Pub Date: March 26, 2024
ISBN: 9780593567630
Page Count: 288
Publisher: Crown
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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by Ashley Fairbanks ; illustrated by Bridget George
by Linda Coombs ‧ RELEASE DATE: Sept. 12, 2023
A poignant and powerful look at identity, change, and resiliency.
An Indigenous perspective on the impact of European settlement.
Coombs (Aquinnah Wampanoag) uses two distinct voices to share information. The alternating chapters prefaced with “When Life Was Our Own” demonstrate the intergenerational sharing of knowledge about Wampanoag life based on oral traditions and research. Within these narratives, she teaches specific lessons: For example, readers learn how cedar was harvested with respect, “in a way that encouraged the growth of new saplings.” Later, they hear about how a sachem, or tribal leader, would resolve conflicts through a football game in order to avoid fighting. The voice of the remaining chapters “is inclusive of all tribal nations in southern New England,” covering history from the 1400s to the present. These chapters define and explore racism and provide facts about the devastating effects of the Europeans’ presence. Explorers’ 1524 arrival in present-day Rhode Island was followed by the Great Dying that wiped out entire Indigenous villages between 1616 and 1618. Europeans then proceeded to extract profits from natural resources, in contrast to Indigenous beliefs that “only the Creator who made the land could own it.” The epilogue describes the situation for Wampanoag people and other southern New England tribes in their territories today. Text boxes labeled “Let’s Think About This” pose critical thinking questions about the communities’ opposing viewpoints and engage readers. Black-and-white photos and artwork support the text. Together, the two intertwined narratives form a cohesive, engaging whole.
A poignant and powerful look at identity, change, and resiliency. (bibliography, resources, image credits) (Nonfiction. 9-14)Pub Date: Sept. 12, 2023
ISBN: 9780593480434
Page Count: 272
Publisher: Crown
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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by Ashley Fairbanks ; illustrated by Bridget George
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