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IN ONE EAR & OUT THE OTHER

ANTONIA BRICO AND HER AMAZINGLY MUSICAL LIFE

From the Amazing Women series

Ideal for girls with professional dreams of their own.

Women can’t conduct orchestras, they said, but Antonia Brico did.

Antonia Brico (1902-1989) ignored the advice of other musicians; she dreamed of being a conductor and eventually made a career of it, though she never achieved a full-time professional job. Cast out by her foster parents in high school, Brico put herself through college by playing the piano and reclaimed her birth name. A sponsor paid her way to Germany, where she became the first American to graduate from the conducting school at the Berlin State Academy of Music. She had guest-conducting jobs all over Europe but left to escape the Nazis. With the support of Eleanor Roosevelt, she formed a women’s professional orchestra in New York, which performed successfully, but New York wasn’t ready for a mixed-gender orchestra. Moving to Denver, she spent the rest of her life there, still guest-conducting all over, teaching piano, and serving as the regular conductor for a semiprofessional Denver orchestra eventually renamed the Brico Symphony. This straightforward biography of a woman who paved the way for today’s women conductors (still few in number) is the second in a promising series of titles about Amazing Women. The author performed under Brico’s baton as a teenager. Chronologically organized, attractively illustrated, carefully sourced, and accompanied by a helpful timeline, this also includes minibiographies of three other early female conductors as well as three from the present day.

Ideal for girls with professional dreams of their own. (Biography. 7-12)

Pub Date: Oct. 6, 2020

ISBN: 978-1-73422-591-4

Page Count: 48

Publisher: Penny Candy

Review Posted Online: July 27, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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