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RETURN TO THE OUTER BANKS HOUSE

Set between 1875 and ’76, Ducharme’s story—this being the sequel to The Outer Banks House (2010)—is about love and its many...

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A heartbreaking yet uplifting novel that explores the destruction and beauty of love.

Set between 1875 and ’76, Ducharme’s story—this being the sequel to The Outer Banks House (2010)—is about love and its many faces, from young and reckless to unrequited. Specifically, she explores the unlikely passion that forms between smart, affluent Abigail Sinclair and uneducated, penniless Benjamin Whimble. The people of this tightknit island community on the Outer Banks, off the coast of North Carolina, are connected by their collective poverty and abiding love for the sea. Outsiders are generally unwelcome. When Abigail’s family visits for a summer, she starts teaching Ben, her father’s fishing guide, how to read. His love for literature and for his teacher grows, and slowly he drifts away from longtime girlfriend, Eliza Dickens, eventually leaving her to marry Abigail. Although this new love is strong, tragedy tests it. Seven years later, the worst behind them, the couple picks through their past separately, putting together the pieces of themselves they lost along the way. Meanwhile, all these years later, plucky and independent Eliza has never fully recovered from losing Ben. She fights for his return and learns much more about herself in the process. Supporting characters, many with equally interesting lives, float in and out of the story as well. Ducharme beautifully shifts among love stories, weaving lives together. She also daftly expresses the tensions between economic classes. In her fog of love, Abigail joyfully leaves behind the security of her life at home so she can be with a man who could never financially provide for her in the ways she’s accustomed; only after the wedding does it hit her. “Words had failed us that night, and I’d welcomed the silence,” she thinks. “Words had escaped me the next morning as well but in a different way, when I came to realize that I was married to a fisherman for the rest of my days.”

Pub Date: Dec. 10, 2014

ISBN: 978-0692312926

Page Count: 418

Publisher: Kill Devil Publishing

Review Posted Online: Dec. 20, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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