A beautiful, strikingly original work that is both scholarly and deeply moving.
A professor of religion and African American studies offers a compelling look at Black women’s love relationships through a historical lens.
As Stewart notes, 70% of Black American women are unmarried, largely due to circumstance rather than by choice. The author examines the social, economic, and cultural conditions for heterosexual Black women who want to fall in love and get married but have few prospects as a result of historical, systemic problems that have plagued their love relationships and marriage outcomes since slavery. Love, coupling, and marriage among enslaved people were burdened by “expectations of fracture” due to the sale of a loved one or other separations. In painstaking and painful detail, Stewart chronicles how even after Emancipation, the likelihood of domestic terror in the form of lynchings, torture, and the wholesale massacre of thriving Black communities “haunted Black couples and families well into the twentieth century.” Those who did survive bore the burdens and restrictions inherent in the systems of patriarchal marriage and unrelenting poverty. Further, abusive federal and state “man-in-the-house” policies targeted Black women, stripping their families of public assistance benefits if boyfriends or husbands were present in the home. Such policies essentially punished Black women for seeking companionship and romantic love, denying them vital sources of “financial and emotional support.” Not surprisingly, Black marriage rates declined significantly in the 1960s and ’70s. But the most pernicious impact on Black love and marriage has been wrought by mass incarceration. More than twice as many Black men were under correctional control in 2013 than were enslaved in 1850. Stewart interweaves such eye-opening statistics with engrossing personal narratives of contemporary and enslaved women whose lives (and deaths) are a testament to the complexity of Black women’s quests for love and a celebration of their resilience in the face of daunting odds.
A beautiful, strikingly original work that is both scholarly and deeply moving.Pub Date: Oct. 6, 2020
ISBN: 978-1-58005-818-6
Page Count: 336
Publisher: Seal Press
Review Posted Online: July 21, 2020
Kirkus Reviews Issue: Aug. 15, 2020
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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