Lilting, haunting, rhyming, and as unforgettable as a dream the daylight just can’t quite erase.
A bedtime chant capable of transforming anyone into a night owl.
Sumptuous watercolor, gouache, and colored pencil illustrations show a day shifting from sunshine to twilight to a deepening night sky. Meanwhile, three children are pulling on their boots, grabbing their flashlights, and heading out into a nighttime world as alive as it is welcoming. As the children search and explore, the text repeats the words dark on light through mesmeric rhymes. “Orange the moon, burnished and bright. / Meadow and owl and dark on light.” At last the children peek into a burrow and find their dog, the object of their search. The nighttime is welcoming here, and the children return home to the cozy arms of their parents. Truly the entire enterprise feels similar in tone to Janice May Udry’s Moon Jumpers (1959), illustrated by Maurice Sendak, as when the children ramble through fields of fragrant lavender beneath a brilliant sky. This is a book capable of banishing nighttime fears, showing the night to be a time of wonder, exploration, and even comfort. Sala’s art matches the cadences of the text beat for beat, offering consistently beautiful images of this undiscovered nighttime world. The children and their parents present as White. (This book was reviewed digitally.)
Lilting, haunting, rhyming, and as unforgettable as a dream the daylight just can’t quite erase. (Picture book. 3-5)Pub Date: Dec. 6, 2022
ISBN: 978-1-5344-8789-5
Page Count: 48
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Nothing riveting but serviceable enough.
Children are introduced to the concepts of sorting and classifying in this bedtime story.
It is getting close to bedtime, and Marco’s mother asks him to put his toys away. Marco—who thinks of himself as a scientist—corrects her: “You mean time to sort the animals.” And that’s what he proceeds to do. Marco sorts his animals into three baskets labeled “Flying Animals,” “Swimming Animals,” and “Animals That Move on Land,” but the animals will not sleep. So he sorts them by color: “Mostly Brown,” “Black and White,” and “Colors of the Rainbow,” but Zebra is upset to be separated from Giraffe. Next, Marco sorts his animals by size: “Small,” “Medium,” and “Large,” but the big animals are cramped and the small ones feel cold. Finally, Marco ranges them around his bed from biggest to smallest, thus providing them with space to move and helping them to feel safe. Everyone satisfied, they all go to sleep. While the plot is flimsy, the general idea that organizing and classifying can be accomplished in many different ways is clear. Young children are also presented with the concept that different classifications can lead to different results. The illustrations, while static, keep the focus clearly on the sorting taking place. Marco and his mother have brown skin. The backmatter includes an explanation of sorting in science and ideas for further activities.
Nothing riveting but serviceable enough. (Math picture book. 3-5)Pub Date: Oct. 13, 2020
ISBN: 978-1-62354-128-6
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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