To country mouse Madeleine and Oxford-bred Marcus Aurelius there is born a giant, ravenous baby, whom they wisely/learnedly name Magnus. Fed, in desperation, the Porker Pills unlettered Madeleine inadvertently ate when she was pregnant, Magnus grows bigger, more demanding ("More, Mummy! More! More!")—a trial to his meek, magniloquent father, a worry to his loving and practical mother. With the Porker Pills used up, and fierce Magnus in danger at loose, the two appeal to farmer-fed rabbit Roland—who fancies being called "Uncle" by "the little fellow," then greets word of his giantism with "How perfectly splendid!" The three are ecstatic at Magnus' triumph over a "Nasty cat." ("A positive powerhouse? booms Roland. "Powermouse, you means," squeals Madeleine.) Even Marcus Aurelius expresses his "undying gratitude" at Magnus' springing him from a trap. Then the farmer, noticing the empty rabbit-food bag, the sprung trap, sends for Jim the ratcatcher—behind his back, Jim the Rat. . . and an authorial upending the equal of Magnus. Jim the Rat can smell a mouse (even "a house-mouse'); he treasures the legend of the King Rat—"Could it be a King Mouse?" Baiting a mink trap with a Mars Bar, he catches Magnus; covertly bears him off-to the horror of the watching trio; and sets about taming him—"The way to the royal heart, he thought, is through the royal stomach"—while Madeleine and Marcus Aurelius comfort themselves with Roland's kindly prophecy of his "triumphal return." So, indeed, it will be: Jim's worship of his extraordinary pet ("A ratcatcher may look at a King Mouse") is matched by Magnus' guilty yearning ("All because Magnus was so greedy! Nasty, nasty Magnus!") for his Mummy and Daddy. There is a hint, once they're all happily resettled, of further adventures to come. A disquieting hint, in a way—so vigorously and unexpectedly do the animal world and the human world mingle in this first.
Pub Date: April 1, 1984
ISBN: 0141318201
Page Count: 169
Publisher: Harper & Row
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: March 15, 1984
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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