To country mouse Madeleine and Oxford-bred Marcus Aurelius there is born a giant, ravenous baby, whom they wisely/learnedly name Magnus. Fed, in desperation, the Porker Pills unlettered Madeleine inadvertently ate when she was pregnant, Magnus grows bigger, more demanding ("More, Mummy! More! More!")—a trial to his meek, magniloquent father, a worry to his loving and practical mother. With the Porker Pills used up, and fierce Magnus in danger at loose, the two appeal to farmer-fed rabbit Roland—who fancies being called "Uncle" by "the little fellow," then greets word of his giantism with "How perfectly splendid!" The three are ecstatic at Magnus' triumph over a "Nasty cat." ("A positive powerhouse? booms Roland. "Powermouse, you means," squeals Madeleine.) Even Marcus Aurelius expresses his "undying gratitude" at Magnus' springing him from a trap. Then the farmer, noticing the empty rabbit-food bag, the sprung trap, sends for Jim the ratcatcher—behind his back, Jim the Rat. . . and an authorial upending the equal of Magnus. Jim the Rat can smell a mouse (even "a house-mouse'); he treasures the legend of the King Rat—"Could it be a King Mouse?" Baiting a mink trap with a Mars Bar, he catches Magnus; covertly bears him off-to the horror of the watching trio; and sets about taming him—"The way to the royal heart, he thought, is through the royal stomach"—while Madeleine and Marcus Aurelius comfort themselves with Roland's kindly prophecy of his "triumphal return." So, indeed, it will be: Jim's worship of his extraordinary pet ("A ratcatcher may look at a King Mouse") is matched by Magnus' guilty yearning ("All because Magnus was so greedy! Nasty, nasty Magnus!") for his Mummy and Daddy. There is a hint, once they're all happily resettled, of further adventures to come. A disquieting hint, in a way—so vigorously and unexpectedly do the animal world and the human world mingle in this first.
Pub Date: April 1, 1984
ISBN: 0141318201
Page Count: 169
Publisher: Harper & Row
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: March 15, 1984
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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