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SOPHIE IN THE SADDLE

King-Smith's "determined" Sophie, who first appeared, at four, in Sophie's Snail (1989), has always been a winning character; such vicissitudes as a suburban domicile, obstreperous twin brothers, and her parents' proscriptions against pets (mellowing more with each book) have never diverted her from her goal of becoming a "lady farmer." Now nearing seven, she's right in character here, and the author's scenes are still amusing, his descriptions apt; but the events (on a farm-stay holiday, Sophie begins riding lessons) don't add up to a real plot, while Sophie's oft-reiterated characteristics receive so little new embellishment as to wear a little thin. (And there's the annoying translation of "Mum" to "Mom" — when other books are proudly introducing words from other languages by defining them by their contexts. Does multiculturalism extend only to those who don't share our mother tongue) But even second-best Sophie is better-than-average young reader fare, and Parkins's frequent drawings continue to be witty and precise. (Fiction. 5- 9)

Pub Date: March 1, 1994

ISBN: 1844281329

Page Count: 96

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1994

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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