A tale of espionage and political intrigue that invites incredulity and, finally, indifference.
After surviving an assassination attempt, an American senator investigates an imminent terrorist attack on the nation in Kent’s thriller.
Nate Tourneur, a senator representing Rhode Island, takes a much-needed break from his hectic schedule by going sailing in Martha’s Vineyard. While there, he’s enchanted by a beautiful stranger, Sarita Montoya, an entertainer from Puerto Rico, and their flirtatious conversation continues back at Nate’s hotel room. When he wakes, he finds her dead, and later her body simply vanishes; his situation shifts “from tragic to a miasma of intrigue.” When he finds a small microphone in his room, he anxiously frets that she was part of a blackmailing scheme. Later, while sailing, he’s attacked by a sniper in a helicopter. In a scene so ludicrously implausible it will elicit more guffaws than thrills, Nate manages to survive both gunfire and a launched rocket and successfully downs the helicopter. While discussing the incident with various intelligence agencies, he recalls a peculiar poem Sarita recited that emphasized the words “imposing encounter,” which turns out to be a code for an imminent attack against the United States, likely aided by Iran. Nate decides to conduct an investigation of his own, and, accompanied by FBI agent Pilar Cruz, he flies to Puerto Rico in search of information about Sarita. The duo discovers that Sarita had ties to the PDL, a shady outfit that specializes in organ donation run by David Rashidani, an Iranian who served in the Revolutionary Guard.
The author intelligently pieces together a complex plot against the U.S., one that possibly includes a devastating biochemical assault. The great virtue of the story is its impressive unpredictability, which allows Kent to build an atmosphere of suspense and chilling expectancy. But too much of the plot is entirely unbelievable, as is the novel’s protagonist, who seems like a pastiche of action-movie characters played by Harrison Ford. Nate is a 41-year-old former Naval intelligence officer and star athlete, perfectly capable of physically fending off assassins with cheerful aplomb. He relentlessly makes light of his terrible predicament by bombarding his interlocutors with clever quips—to his great fortune, they all respond in kind. When tackled to the ground by an FBI agent tasked with bringing him in—Nate didn’t realize his pursuers were FBI agents and was running away—this exchange occurs: “‘Are you a terrorist from Texas?’ I say. ‘San Antonio,’ says the leader of the pack. ‘You set me in a horn-tossing mood.’ … ‘I won’t apologize,’ I say. ‘You’re lucky to be alive, jumping through those trains.’ ‘When you’ve chased jackrabbits on the prairie, you don’t need breakfast to catch a man.’” No one talks like this, certainly not under conditions of such duress and fear. Unfortunately, this exchange is exemplary of all the dialogue in the novel. Readers will be entirely engrossed by the first 50 pages of Kent’s political thriller, but the remainder offers only diminishing returns.
A tale of espionage and political intrigue that invites incredulity and, finally, indifference.Pub Date: June 20, 2024
ISBN: 9798886795813
Page Count: 260
Publisher: Luminare Press
Review Posted Online: May 17, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Filled with action, violence, and more twists than a bag of pretzels.
Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.
Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.
Filled with action, violence, and more twists than a bag of pretzels.Pub Date: April 14, 2026
ISBN: 9781538758021
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.
Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.
With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.Pub Date: April 28, 2026
ISBN: 9780063305748
Page Count: 608
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
BOOK REVIEW
BOOK REVIEW
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