A smart, straightforward narrative that reveals the varied mood a shared experience can evoke.
A young man strains to understand the source of his parents’ split as well as an uncle’s suspicious death.
The unnamed narrator of Zúñiga’s spare English debut is 20 years old and on a road trip with his father through Chile’s Atacama Desert, spending time with that side of the family before getting some dental work done. (The narrator has bleeding-gum issues after spending his adolescence subsisting entirely on junk food, it seems.) This simple plot has plenty of storm clouds: as the first page explains, he believes his father killed his uncle Neno years before, though the novel is less an investigation than a meditation on this act. The novel’s structure highlights the narrator’s split existence: one to two paragraphs per page, with each page alternating between the young man’s travels with dad and his childhood with mom. The latter experience, in his telling, was dour bordering on oppressive: he recalls being an aspiring journalist as his mother sparingly reveals details about Neno; the narrator’s dead brother; and her split from his father. Dad, meanwhile, is upbeat, with a new wife and son, though he keeps his distance from his own father, a devout Jehovah’s Witness. A camanchaca is a fog unique to Chile in parts where the desert abuts the coast, a fitting metaphor for the deliberate fuzziness of memory and emotion that Zúñiga cultivates. “[Dad] explains that one must respect the desert and the highway, that not just anyone can drive there,” he writes, which is a bit of bluster but also underscores the point that navigating those memories won’t be easy. The book’s brevity and mannered structure dampen its emotional impact; it will be interesting to see what Zúñiga can do with a broader canvas. But he’s thoughtfully commanded three complex lives in a limited space.
A smart, straightforward narrative that reveals the varied mood a shared experience can evoke.Pub Date: March 7, 2017
ISBN: 978-1-56689-460-9
Page Count: 128
Publisher: Coffee House
Review Posted Online: Dec. 18, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
With its flat, staccato tone and mournful mood, it’s almost as if the book itself were suffering from depression.
A young Philadelphia policewoman searches for her addicted sister on the streets.
The title of Moore’s (The Unseen World, 2016, etc.) fourth novel refers to “a long bright river of departed souls,” the souls of people dead from opioid overdoses in the Philadelphia neighborhood of Kensington. The book opens with a long paragraph that's just a list of names, most of whom don’t have a role in the plot, but the last two entries are key: “Our mother. Our father.” As the novel opens, narrator Mickey Fitzpatrick—a bright but emotionally damaged single mom—is responding with her partner to a call. A dead girl has turned up in an abandoned train yard frequented by junkies. Mickey is terrified that it will be her estranged sister, Kacey, whom she hasn’t seen in a while. The two were raised by their grandmother, a cold, bitter woman who never recovered from the overdose death of the girls' mother. Mickey herself is awkward and tense in all social situations; when she talks about her childhood she mentions watching the other kids from the window, trying to memorize their mannerisms so she could “steal them and use them [her]self.” She is close with no one except her 4-year-old son, Thomas, whom she barely sees because she works so much, leaving him with an unenthusiastic babysitter. Opioid abuse per se is not the focus of the action—the book centers on the search for Kacey. Obsessed with the possibility that her sister will end up dead before she can find her, Mickey breaches protocol and makes a series of impulsive decisions that get her in trouble. The pace is frustratingly slow for most of the book, then picks up with a flurry of revelations and developments toward the end, bringing characters onstage we don’t have enough time to get to know. The narrator of this atmospheric crime novel has every reason to be difficult and guarded, but the reader may find her no easier to bond with than the other characters do.
With its flat, staccato tone and mournful mood, it’s almost as if the book itself were suffering from depression.Pub Date: Jan. 7, 2020
ISBN: 978-0-525-54067-0
Page Count: 496
Publisher: Riverhead
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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