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Four Quadrant Living

MAKING HEALTHY LIVING YOUR NEW WAY OF LIFE

Useful tools for living a more balanced life.

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An easy approach to integrating different realms of your life and achieving a healthy lifestyle.

It was a wake-up call when doctors told Colman that she had an 87 percent chance of receiving a breast cancer diagnosis in her lifetime. With a sister already in the midst of her own grueling battle with the disease, Colman had a choice: accept that a cancer diagnosis was nearly inevitable or “create a new health destiny” for herself. She chose the latter, stepping off the corporate fast track to earn a master’s degree in holistic health education and remake her life. Colman rejects the idea that healthy living simply means eating well or getting enough exercise, instead choosing to see health as “a state that emerges from four areas—four quadrants—Mind, Body, Relationships, and Environment.” By taking positive actions in each of these four areas, Colman says, the reader can improve his or her health, reduce the risk of serious disease and live a better life. The book’s four sections discuss each quadrant in detail, offering straightforward solutions for improving health, many of which can be implemented right away. This small-step approach to improving life is notably appealing, since it’s easy enough to follow suggestions such as striving to find humor in stressful situations or switching to nontoxic household cleaners. Other recommendations are more intensive and won’t be as easy to put into action as Colman sometimes makes them sound. For instance, getting out of toxic relationships by “exiting stage left” may be a real challenge for some, and Colman offers few tips on how to break free from such unhealthy bonds. Some of the advice is so brief that it seems like filler, including a chapter on rethinking one’s attitude toward weeds, which features vague tips on avoiding pesticides and embracing native plants. Nonetheless, Colman packs plenty of sensible suggestions into this slim book. What might come off as judgmental in less-deft hands is here more like gentle advice from a close friend.

Useful tools for living a more balanced life.

Pub Date: Oct. 1, 2013

ISBN: 978-1-939288-22-6

Page Count: 234

Publisher: Four Quadrant Media

Review Posted Online: Jan. 7, 2014

Kirkus Reviews Issue: March 15, 2014

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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