A vital, timely novel about what it means to seek refuge.
An expatriate Iranian woman struggles to reconcile her European life with her background.
Niloo is 8 when she flees with her mother and brother from their native Iran. Bahman, her father, stays behind; he has a life, and a dental practice, that he can’t or won’t uproot. He’s also addicted to opium. Over the next 20 years, Niloo sees her father four times. Each time, it is difficult to connect. Bahman finds his daughter humorless and foreign. Niloo blames her father for staying behind, for abandoning his family, for his addiction. She’s embarrassed by his village mannerisms. By now, Niloo has developed a successful academic career, married a Frenchman, moved to Amsterdam; she’s become sophisticated, cosmopolitan. But soon she finds and befriends a community of Iranian refugees in the cold Dutch city, most of them struggling for legal documentation. At the same time that she is embarrassed by her father, she grows alienated from her European husband. Nayeri’s (A Teaspoon of Earth and Sea, 2013) second novel is richly imagined and frequently moving in its descriptions of the neither-here-nor-there immigrant’s life. No matter what she does, Niloo can’t seem to feel at home. In the meantime, the news from Iran grows worse, as Ahmadinejad takes power and protests break out. Nayeri manages these various threads—the personal, the political, the cultural, the generational—deftly, and the result is poignant, wise, and often funny. But not all the characters are equally drawn, and Niloo’s brother and mother get the short shrift: though they make various appearances in the narrative, they never come together as full-fledged characters. Likewise, Guillaume, Niloo’s French husband, seems more typecast than individually imagined. Still, we come to empathize deeply with Niloo and her father as well as with the refugees Niloo meets in Amsterdam.
A vital, timely novel about what it means to seek refuge.Pub Date: July 11, 2017
ISBN: 978-1-59448-705-7
Page Count: 336
Publisher: Riverhead
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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