Thin soup, but perhaps useful as a prelude to seeing the film for the first time or as a keepsake afterward.
So scanty is this condensation of the tale’s 1953 Disney version that the mermaids, the Indians (except for Tiger Lily) and even the crocodile make only cameo appearances—but there are plenty of interactive side features to compensate, along with art that looks like it came from a contemporary adaptation.
Enhanced by panning scenes, vigorous sword fights and occasional touch-activated animations, the pictures—rich in color and action, and done in an evocative period style—are the chief attraction. The text appears piecemeal and runs to lines like, “When Tinker Bell discovered Hook’s plan, she felt awful!” and, “…with happy thoughts, faith, trust and pixie dust, away flew the pirate ship.” Readers can view it silently or listen to either an avuncular narrator or a self-recorded version (with further personalization offered by uploading a photo onto a digital “bookplate” at the beginning). Children who aren’t being held by the skeletal plot will find scattered icons that lead to coloring pages, jigsaw puzzles, memory-matching games and a digital panpipe. A sure annoyance to most readers, though possibly helpful for those with profound attention issues, is the fact that touching or even swiping past any character at any time calls up both an audio and a floating visual ID that unnecessarily labels the characters ("Wendy"; "Peter Pan"; "Pirate").
Thin soup, but perhaps useful as a prelude to seeing the film for the first time or as a keepsake afterward. (iPad movie storybook app. 4-6)Pub Date: March 8, 2012
ISBN: N/A
Page Count: -
Publisher: Disney Publishing Worldwide Applications
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: May 15, 2012
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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