by DJ Ass Maggots illustrated by Matt Jacobus ‧ RELEASE DATE: March 18, 2016
A smart, sarcastic, illustrated look at the cat-keeping lifestyle.
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A short collection of humorous vignettes from the life of a cat owner.
Maggots’ (Cupcake Factory, 2015, etc.) short book, lavishly illustrated by Jacobus, gives readers dozens of lively, humorous glimpses into the always problematic dynamic between cats and their owners. Overall, the author enhances the immediacy of this account by casting many reflections here in the form of diary entries of both cat and man, and these are filled with a raucous humor that will make this short book enjoyable for cat owners everywhere. The interactions in these pages may be fanciful—humans and cats simply talk back and forth to one another, and there’s a buddy-movie vibe to the whole thing—but they’ll nevertheless be immediately recognizable to cat people specifically and pet owners in general. When the narrator, Human, asks his pet, Old Cat, “What are you going to do today? Why don’t you make yourself useful and find a part-time job or something?” many will nod knowingly when the feline replies, “Nah, I’m just gonna lie around, maybe lick myself. I’ll probably destroy some of your expensive furniture. Anyway, catch you later.” The book touches upon nearly every aspect of cat ownership, from the damage they do during their seemingly manic bursts of energy to their scattershot understanding of sanitation to their complete disregard for human privacy. The cat-as–alarm-clock, the cat-as-noisemaker, the cat-as–garbage-disposal—and, charmingly (though always with a cynical edge), the cat-as–friend-and-companion—are all brought to life in short scenes illustrated in either full-color images or energetic pen-and-ink drawings by Jacobus. Readers get a cat’s-eye perspective on everything from the pets’ wanderlust to their hatred of baths to their curious, and often repulsive, habit of presenting their owners with killed and mutilated animal corpses as presents. Both sides liberally express their exasperation (“Do you know what it's like as a single father raising a brat of a cat?” the human asks at one point), but there’s an undercurrent of grudging affection in these pages that will likewise strike cat owners as familiar.
A smart, sarcastic, illustrated look at the cat-keeping lifestyle.Pub Date: March 18, 2016
ISBN: 978-1-5233-0730-2
Page Count: 38
Publisher: CreateSpace
Review Posted Online: May 19, 2016
Kirkus Reviews Issue: June 15, 2016
Review Program: Kirkus Indie
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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