Grit and imagination combine to turn “No” into a definite “Yes.”
Corchin and Doughtery combine talents in this metaphorical tale of creativity, resilience, and growth mindset.
This book’s noseless, bristly-ponytailed protagonist has a great idea (never named but represented visually as a glowing egg), but like many ideas, it runs into hiccups along the way to fruition, including daunting opposition. What seemed like a simple and clever idea at first quickly meets many, many “No”s. The naysayers and critiques are heavy and painful at first and quickly become overwhelming until “No”s in a dizzying variety of typefaces litter the page. But when she decides to solicit feedback, at first reluctantly, she becomes curious about her idea and how the “No”s might help it along, turning 1,000 “No”s into one big, brilliant “Yes.” The message is straightforward without being heavy-handed: Even though feedback can be difficult to hear, it ultimately leads to positive results. The black-and-white line-drawn illustrations have a Tim Burton vibe at the start, but they grow more colorful as the protagonist’s attitude changes and “No”s pour in, expanding the allegory visually. The final, humongous, multicolored “YES” is made up of all the myriad “No”s. Characters are uniformly depicted with paper-white skin, but hairstyle hints at racial diversity, and one character uses a wheelchair. This will surely find a home alongside similar favorites from the likes of Peter H. Reynolds and Kathryn Otoshi. (This book was reviewed digitally with 9.3-by-18.6-inch double-page spreads viewed at 52% of actual size.)
Grit and imagination combine to turn “No” into a definite “Yes.” (Picture book. 5-8)Pub Date: Aug. 4, 2020
ISBN: 978-1-7282-1919-6
Page Count: 48
Publisher: Sourcebooks eXplore
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
A sweet and endearing feathered migration.
A relationship between a Latina grandmother and her mixed-race granddaughter serves as the frame to depict the ruby-throated hummingbird migration pattern.
In Granny’s lap, a girl is encouraged to “keep still” as the intergenerational pair awaits the ruby-throated hummingbirds with bowls of water in their hands. But like the granddaughter, the tz’unun—“the word for hummingbird in several [Latin American] languages”—must soon fly north. Over the next several double-page spreads, readers follow the ruby-throated hummingbird’s migration pattern from Central America and Mexico through the United States all the way to Canada. Davies metaphorically reunites the granddaughter and grandmother when “a visitor from Granny’s garden” crosses paths with the girl in New York City. Ray provides delicately hashed lines in the illustrations that bring the hummingbirds’ erratic flight pattern to life as they travel north. The watercolor palette is injected with vibrancy by the addition of gold ink, mirroring the hummingbirds’ flashing feathers in the slants of light. The story is supplemented by notes on different pages with facts about the birds such as their nest size, diet, and flight schedule. In addition, a note about ruby-throated hummingbirds supplies readers with detailed information on how ornithologists study and keep track of these birds.
A sweet and endearing feathered migration. (bibliography, index) (Picture book. 5-8)Pub Date: May 7, 2019
ISBN: 978-1-5362-0538-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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