by D.J. Steinberg ; illustrated by Sara Palacios ‧ RELEASE DATE: Oct. 11, 2022
A warm and welcoming Hanukkah story.
Come celebrate the joys and traditions of Hanukkah in this poetry collection.
The cover of this exuberant book hints at the fun within as a group of diverse children play a game of dreidel with a menorah shining behind them indicating that it’s the first night of Hanukkah. Steinberg’s poems guide young readers through various aspects of the holiday, explaining its origins in biblical days with the Maccabees fighting to recapture the temple and the miracle of the small amount of oil burning for eight days and nights. Steinberg then focuses on a modern family’s celebration, including the lighting of the candles with the shammes, the presents stacked and ready to open, the rules of the dreidel game, the food, and the wonderful, noisy, loving togetherness that pervades it all. Attempts to take family selfies by the menorah are a hilarious failure. Then there’s the endless debate over the right condiment to accompany the latkes, with family members declaring themselves Team Applesauce or Team Sour Cream. The poems, generally in simple abcb rhymes, capture the family’s love and pride in their religious traditions. Palacios’ cartoonish art depicts characters with a wide variety of skin tones and hair colors and who vary in age, complementing and enhancing the text. Stickers with illustrations from the book are appended. (This book was reviewed digitally.)
A warm and welcoming Hanukkah story. (Picture-book poetry. 4-8)Pub Date: Oct. 11, 2022
ISBN: 978-0-593-09426-6
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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